Turbulence, by Samit Basu

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 The cover doesn’t do justice to the book.

To be perfectly honest, I don’t know that I laughed, cried, or gasped while reading Samit Basu‘s Turbulence.  But I also didn’t put it down once I’d picked it up, and I most certainly do demand a sequel.  I’m not sure how I couldn’t, after having happily finished the book in one day.

This book is profoundly easy to read.  Some stories are told in a way that defies accessibility, that requires you to think hard and work your way through the language to the story underneath.  This is not one of them.  Instead, Basu’s descriptions of the world surrounding our protagonists are offered offhand, seemingly effortless in the way that they paint a picture of the world.  The first analogy that comes to mind is watching Bob Ross paint his happy clouds; one minute there’s a blank blue sky, and the next there are beautiful fluffy cumulus floating in it.  He hardly seems to exert himself beyond the bare minimum necessary, and yet a whole world drifts into being over the course of a few words.  Basu certainly relies on his audience to fill in the gaps, as we always do, but each time he conjures up another tiny detail or reminds me of the appearance of some particular piece of scenery, everything flows together again.

Turbulence is the story of what happens when a single plane full of people are all granted superpowers for no apparent reason.  By focusing on the many and varied people aboard BA flight 142 from London to Delhi, Samit Basu offers a superhero story about people who aren’t American (though American superhero comics exist and are referenced), and in which women aren’t automatically relegated to the status of sex-objects.  I really liked it.  Heck, I think even Spaige would like it.  I wasn’t especially surprised by the twists that Basu provided, but I enjoyed all of them and I loved the end of the story.  Now I can’t wait for more.  Fortunately, it looks like I won’t have to, since the sequel comes out in July.

More after the break.

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Cartozia Tales

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Quick disclaimer: I received my copy of the first issue as a review submission, and am friends with Lucy Bellwood, one of the excellent artists on the project.

Cartozia Tales is the collaborative creation of a group of indy cartoonists, with two issues out and another eight to come pending a successful Kickstarter project.  It explores the world of Cartozia by offering stories from all over the map… literally.  One of the central conceits of the project is that each of the artist teams will create stories from a randomly chosen location in the world of Cartozia, with the eventual goal of having every artist tell a story from every section of the world.

The world itself is filled out in promising detail on a map in the center of the first issue (like that pretty one up above).  Your initial introduction to the material is offered by a young cartographer named Shreya, who travels around the world of Cartozia mapping it out and collecting stories.  These stories are all designed to be accessible to young readers, and as such they are short, move quickly, and don’t require an extensive background vocabulary.  But leaving it at that doesn’t do full justice to the content; a number of the stories were just as deep and engaging as I would hope something aimed at an older audience to be, and the stories that didn’t quite hit that note felt like they promised to do so within the next few episodes.

The art changes from one story to the next as different artists take the reins, offering a wide variety of styles in a medium that is more often denoted by much larger uniform chunks.  I am of course quite partial to Lucy’s work, but I found several new artists that I expect to look up once I’ve finished writing this post (never mind, I couldn’t resist and already looked them up).  Simply put, I quite like this project and I’m looking forward to reading the next issue.  I highly recommend that you check it out, and contribute to their Kickstarter if you like what you see.