Be Boring: Making fun characters, Quick Thoughts

Last week I said that your characters should be hungry.

This week I’ll add: be boring.

“Be boring” is for your character’s history, it’s for their personality, it’s for their hopes and dreams. Character creation doesn’t have to be a painstaking chore. You don’t have to create a beautiful new being, perfect and unique.

Be boring. Be average. Be a familiar trope. Use things you’ve seen elsewhere.

Be unoriginal.

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BE HUNGRY: Building your own Buy-in, Quick Thoughts

So many of the stories we tell, so many of the stories we read, are about reluctant heroes and passive adventurers. But those character tropes are woefully misleading and destructive when it comes to driving collaborative story-telling. Characters like that work in fiction because the creators of that fiction spend a tremendous amount of time finding ways to force the characters into action. That’s time and effort that you don’t see or recognize when you look at the story as a consumer. It’s time and effort that can suck energy out of gaming groups.

This is about defying those tropes, and having fun while doing it.

You don’t sit down at a diner counter and demand that the waitstaff convince you to buy food; you’re there because you’re hungry. You picked that place because 1) you already know they have something you want, or 2) you want to try something they have.

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Character Connections & Motivations, Longer Thoughts

I recently ran an impromptu game of D&D 5e for some friends. While I was asking the players for their character’s connections to the other players and the world around them, one person said (I paraphrase) “I don’t have any connections. I live alone in the woods and don’t know or care about these people.”

I was a bit short with the player in response, and pushed them to come up with some connections, even if they didn’t feel like close ones. The player did.

Reflecting on that moment…  Continue reading

Exemplars & Eidolons: Post-Mortem

It turns out that Exemplars & Eidolons was almost exactly as awesome as I thought it would be. It also turns out that I failed to sufficiently anticipate the bottleneck that I would create by not printing out more materials for my players to use while making their characters. So much for “less than half an hour.”

To be fair, most of character creation was finished faster than that. The dice-rolling and number generating side of things, and the decisions that people had to make about equipment and such, were really quick. Choosing their gifts, with the limited information that I gave them, was really quick too.

What took time was copying information about their gifts onto their character sheets, and coming up with facts about their characters. The first of those has a pretty obvious solution; I can give out more pre-printed materials after people have chosen their gifts, instead of being the only person with access to the full text of the gift entries in the book. The second seems a little trickier.

The game suggests that players write three facts about their characters. As the text puts it in the one page cheat sheet, “One fact should be about their past life and how they obtained their skills. Another should be about the family or social ties they have, and the third should be about some special trait or personal quality.” It took a little convincing from me for them to say ridiculous and awesome things about themselves. I also had to tell them that these were intended to give them more hooks or ways to interface with the world, instead of being intended to shut them away from it.

Maybe it’s because first level characters in Exemplars & Eidolons don’t look like all that much on paper, but I don’t think they really believed how badass I was encouraging them to be. The truth is, if I were only looking at the numbers on the sheet without having read the rule book, I might think that most E&E characters were doomed to suffer ignominious deaths at the hand of a few goblins with pointy sticks. In point of fact, I think just about any E&E character would totally wreck those goblins, probably on their own… but it’s tough to embrace that when you look at your character and don’t *believe* it.

So how am I going to make that side of things go faster? To some extent there’s no way for me to rush the creativity of my players. If they can’t come up with anything they like, they can’t come up with anything they like. I’ve certainly had that problem today, getting 720 and 530 words into two different tries for a flash fiction piece and liking neither of them. But I think I should write three examples of different kinds of facts for each of the prompts and include them in the additional materials that I print up. I can also include my little reminders about how people should make their facts more badass than not, and how they should create further engagement with the world if at all possible. Maybe I’m deviating from the original intent, but I don’t want players to hobble themselves because they decided to make their fact about “some special trait” be ‘dies their hair green’ when other people are throwing around things like ‘walked barefoot through the Valley of Knives both ways, in the middle of winter.’

And, if all else fails, they can write their facts while we play. Heck, that might be the best possible option. If I prep some adventures right now so that I can start game the moment people have the relevant numbers, and start with the characters already undertaking some task, I’m pretty sure a bunch of improv trained LARP campers can come up with some personal character details.

Oh, yeah, the session was awesome. I’ll probably talk more about it later, but suffice to say that improvising and flying by the seat of your pants is really easy in this system. It’s great, and fighting spooky snake sorcerers in a dark and creepy space is scary.

Exemplars & Eidolons: Quick + Dirty OSR

There’s a tradition at the overnight LARP camp where I work, one that has been carefully nurtured by my friend Zach, of playing RPGs when you’re not busy LARPing. Zach has run a wide variety of games at camp, but in the past few years he’s used Old School Renaissance games almost exclusively. I think I’ve finally discovered why.

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Why David Weber, Why?

Reading about flat characters in E.M. Forster’s Aspects of the Novel, I have just been reminded of one of the things that routinely frustrates me in David Weber’s work.  Weber likes trying to make characters who should essentially be flat, more or less caricatures intended to draw up conflict or drama or comedy (or maybe they should be comic but he refuses to use them in that way, making them painfully comic instead… more on that later).  But instead of accepting that these characters should be flat, he tries to flesh them out.  He tries to make them round, and make me care about them.  Nine times out of ten, he fails.

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Flash Fiction: Characters in 250 words or less

Like it says in the title, this week’s flash fiction challenge is to create characters and convey them in 250 words or less.  I’ve had a few knocking around in my head recently, and I decided to let two of them out.  I’ve already written stories about both of them before, which you can find (amongst others) right here.

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Shenani-games: Random Character Generation is GREAT

This weekend was a good one for gaming.  On Saturday I ran a last minute seat-of-the-pants adventure involving a great deal of bullshitting, and on Sunday I continued to run a standing campaign based on the material I started posting about last fall, in the setting I’ve been writing about this spring.  I had a great time with both sessions.

I’m not going to tell you much about the campaign, since that would potentially expose spoilers, but I absolutely have to share the basic setup of the Saturday game with you.  You remember whothefuckismydndcharacter, right?

Because we had very little time to set up and run the game, I decided that the players should roll down the line, which is to say that they had to roll their ability scores in order without being able to shift them around and spend too much time thinking about what they were going to be.  Then Spaige whipped out whothefuckismydndcharacter and got “a fucking sentimental Human Warlock from a cavern without echoes who is a recovering cannibal.”  I immediately decided that people could rearrange their ability scores as long as they shifted them to match a randomly generated character from that site.  Two of our players (Thom and Whitney) were hardcore / lucky and both rolled down the line AND used the random character generator.

The party ended up with an elven wizard, two warlocks (one human, one half-elven), a rock gnome rock bard, and a dragonborn barbarian.  The party’s wisdom scores were (I believe) 6, 6, 7, 8, and 12, with the barbarian as the wisest party member.  The lowest charisma score for the party was 14, and most people had 16 or higher.  Marvellor the Shit had a 20.  How did he end up with a name like that?  Well…

As the first few people figured out who their characters were, everyone decided that the PCs should start at 3rd level and that everyone would need an epithet of some sort.  We made a joke about the gnomish bard rocking out, and so he quickly became Duane the Rock, rock gnome rock bard.  The dragonborn barbarian, who had once survived a cookpot (it said so in his backstory), was described as having proportions like unto a Red Delicious; he’s bigger up top than down low, but he’s all around larger than he really should be.  He came to be known as Horgrin the Vast.  Spaige’s human warlock took the Great Old One pact, and was thus able to communicate telepathically (Spaige, seriously, I still want the fluff you came up with for that demon-tainted cave of the cannibalistic thought-collective, it was great), so she became Chathi, the Last Disciple of Silent Whispers, or Chathi the Last for short.

Whitney still needed an epithet and was randomly generating her character name (she got extra bonus points, because she randomly generated everything including wizard her spell list), but she quickly realized that her name was her epithet.  She ended up playing The Gart, which was perfect because it continued the tradition of four letter epithets.

By this point people were starting to get a little cracked out and/or drunk.  Thom showed up late and generated his character as quickly as he could, randomly generating the name Marvellor for his half-elf warlock, but was stumped for what to call himself until we pointed out that he needed a four-letter epithet.  Thus was born Marvellor the Shit, and his less impressive imp familiar Bixby the Crap.

Together these hooligans decided to search out a treasure as yet untouched by the adventuring group which had touched (more like scarred) all of their lives.  There’s so much that I’m skipping over, like the beautiful way in which they connected the fragments of backstory given to them all through the random character generator, but suffice to say that they had reason to despise and outdo the people who had ruined the lives that they once led.  As such, they journeyed into the land of Kraskya, the ancient and ruined city, and promptly fought a large number of things that they were hilariously ill prepared to face.  And despite the fact that high charisma types and people with enchantment and deception spells rarely do that well against the undead, they triumphed.

Of course, we left off while they were still stuck underground, more or less trapped by a very very large number of skeletons, but I’m sure that will be a good story for another time.

Flash Fiction: Robin’s Songs

Turdus-migratorius-002

Chuck Wendig has a blog called terribleminds, and on the 9th he posted a Flash Fiction challenge.  The prompt: write a 1000 word story about a character created by this random D&D character generator.  My prompt turned out to be a “suspicious half-elf bard from a sheltered upbringing who is lactose intolerant.”  I really had no idea how to work in lactose intolerance, but I think I’ve succeeded.  Check it out below the break!

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Robin looked up from her book, absentmindedly pushing a strand of hair behind her gently pointed ear.  The little cluster of red feathers that she kept tied at the end of her hair rustled against her shoulder.  She gave the innkeeper a second-degree smile, the one the Enlightened Brethren had taught her to use for disarming the suspicions of others.

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Character of the Week: Jason’s Jackmerius

Zeeblee

I’m piggybacking off of Mattias’ article because in our discussions before he published it, certain parts of his character caught my fancy, and it inspired me to try my hand at my own iteration.  The core of the idea at the time in our discussions was:  Demon hunter who uses magic.  After more discussion Mattias mentioned how he was playing around with the idea of multiple personalities and the He Who Fights Monsters trope.  My thought:  What if this were literal?

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