Dead Boy Detectives (Netflix 2024)

I’m two episodes into Dead Boy Detectives and I’m having a blast. Something about this feels wonderfully light and playful, despite the show’s somber, grisly, and morbid elements.

What can I say?

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How has Fallout been my chill-out?

It’s been a minute.

I’ve been packing, clearing out, and moving into a smaller space (plus storage). This is, as ever, revealing. It’s also a tremendously time-hungry pain in the ass.

I’ve had less time for consuming media as a result of all this, but I’ve sometimes watched an episode of Fallout as a way of relaxing in the evenings. And I do mean relaxing. But why is this show about awful stuff not awful?

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Expectations and Avatar: The Last Airbender

Last week I posted about expectations and Masters of the Air. I skirted around something similar in my previous live action Avatar: The Last Airbender post but, having now finished the first season of live action A:TLA, I’m going to say it directly.

This show suffers greatly from my expectations. If I’d never seen the animated show, I’d be more excited about this live action version. I also just rewatched some of the animated A:TLA because I feared that my memories of it might have been too fond, and…

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Expectations and Masters of the Air (Apple TV 2024)

Right around the release of Masters of the Air, I saw a number of moderately critical reviews of the show. None of them were harsh pans, but there was a thread of dissatisfaction that wound through their titles. I didn’t want spoilers, so I limited myself to browsing and skimming. I concluded that these reviews were mostly fluff pieces composed of many words saying little, building a 500+ word post from two rumors, an impression, and a handful of vibes—what I think of as publishing-padding, intended to fill post slots on a website.

For the most part, these reviews changed in tone as the show ran its course. 

What I gleaned from these negative reviews was that the reviewers, or whomever they were sourcing their impressions from, had mismatched expectations. They were frustrated, I guess. They were watching Masters of the Air and expecting Band of Brothers.

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The Gentlemen (Netflix, 2024)

Have I tired of Guy Ritchie?

The first episode of Netflix’s The Gentlemen reminds me of Michael Bay’s Pain & Gain without the leavening of self-awareness. Pain & Gain leaves us, the audience, with enough room to see the idiocy and toxic obsession involved. From the movie’s first moments we are offered a perspective that might empathize with the main characters, but doesn’t ask us to sympathize with or believe them. In that way, Pain & Gain feels like a critique of the stupidity and myopic ambition of its characters.

The Gentlemen might critique its characters’ beliefs… maybe. But The Gentlemen doesn’t offer the distance and outside perspective that Pain & Gain does. Even when it showcases the absurd, the first episode of The Gentlemen takes the main characters seriously and takes their perspectives. It believes its own hype. Instead of offering a self-aware critique of people’s unwillingness to admit that they’re stuck swimming laps in a shallow pool, this first episode puts us inside the fishbowl, trying to find a better fishman.

It’s flashy and stylish and dramatic. It also feels a bit stupid.

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The Only* Live Action Avatar: TLA (Netflix 2024)

*Let’s not talk about the movie

This adaptation can’t exist independently of the animated version for me. My familiarity with and love for the animated show clouds my judgment. I don’t think I can just call this show bad, because I’ve really appreciated parts of it, but I also can’t say it’s good.

I don’t like this live action Avatar: The Last Airbender as much as the animated version, for a number of reasons. The two shows feel like two different interpretations of the same starting material, and while I can see why the live action version made at least some of the choices it did, I think some of those choices will rob the show of its dramatic potential down the line. If you’re still on the fence about watching this version of Avatar, let me temper your expectations and tell you what I’ve enjoyed… as well as what I haven’t.

Oh yeah. I’m going to spoil this show. If you haven’t seen the animated version already, do yourself a favor and watch it.

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Monarch: Legacy of Monsters, after season 1

What’s my verdict after finishing season one of Monarch: Legacy of Monsters? No spoilers, I liked it. I even loved some of it. But I didn’t love all of it equally—for one, I didn’t care much about the big monsters most of the time.

My lack of interest in most of the monsters turned out just fine! That didn’t detract from the show, because Monarch is far more focused on people, and humanity, than on giant stompy monsters. And it was Monarch’s focus on people that I loved.

I think there are some interesting details in why I loved the parts I loved, and what didn’t work as well for me. Come check it out.

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Delicious in Dungeon (Netflix 2024)

Cooking anime meets dungeoneering adventure in Delicious in Dungeon. Based on a manga from Ryoko Kui, this show is focused on…

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Monarch (Apple TV 2023), update

Turns out the third episode was perfectly placed to build up my impression that there wasn’t enough character development or emotional grounding going on in the modern day storyline. I’m not going to edit my review, but

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Blue Eye Samurai, s1 (Netflix 2023)

Blue Eye Samurai is a damn good show.

A damn good show that comes with a couple of warnings.

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