This is one of the most character-focused small-scale stories I’ve read in a while; it feels both literary and feminist in that way, delving into personal moments and paying attention to humanizing (“personizing”? Several characters are aliens after all) every character. The Long Way to a Small, Angry Planet has emotional depth that was often lacking in the science fiction I read growing up, and delivers the wanderlust and quiet tension of venturing between the stars. I love it for that.
This book is a series of well-crafted vignettes that build upon each other time and again. Subsequent layers add depth and import, making the journey of the ship and its crew as much an emotional one as a physical one. I know I’ve just described how most novels should work, but something about this story made me hyper-aware of that fact in a very good way. Let me try to explain.
Overlord is a pulpy, terrifying thrill ride of a B-movie. It feels like an over-the-top World War 2 Delta Green scenario, and an homage to a genre I learned to love through John Carpenter’s films. Having read more about the movie, and learned more about the practical effects used, I’m even more impressed.
As a B-movie it’s quite good, though it rang a bit hollow for me. I think there might have been a little more to the character development arc for Jovan Adepo’s Boyce that didn’t survive to the theatrical cut I saw, and I would have loved to see that. But it’s probably okay: high tension Nazi-killing historical science fiction B-movies aren’t best known for their character development.
I’ve recently been working on a swords & sorcery-inspired Apocalypse World (AW) hack, trying to create something which fits the themes present in Robert E Howard’s Conan stories, Steven Brust’s Taltos novels, and Fritz Leiber’s Lankhmar stories. In doing this, I’ve had an interesting realization about the construction of AW and the games it has inspired: dualistic tension in the games’ principles drives the dramatic and thematic tension which fuels their best stories.
I fear my words will scare you away. This book is painful, heartfelt, and beautiful. I cannot convey the magnitude by which this book surpasses others I’ve read. You’re missing out if you do not read this. Take care of yourself when you do.
I nearly finished it on a rainy day last spring. A twinge of self-preservation made me put down the book with several chapters remaining; I somehow knew to finish it when the sun was shining and I could take time for myself.
I was right. Finishing it, I cried as the book continued to do what it had always done: grab my heart and then methodically twist it into pieces, leaving just enough for hope.
With only a little exposure to her work, I’m already a fan of Laini Taylor‘s words. Her evocations of character and place, particularly in Daughter of Smoke and Bone, are sumptuous and possess the brilliant clarity of a portrait etched in glass. If you’re fond of reading beautiful things and you like romantic YA fantasy, this is a good book for you.
There were several pieces of this book that made me bounce, but I think most of them are because I’m not this book’s target audience. For example…