Children of Blood and Bone, by Tomi Adeyemi

CBB+Book+CoverShit Children of Blood and Bone is good. Tomi Adeyemi deserves more than praise for this.

The end of the book was all that I could have wanted and more, and I loved it. I finished it in tears, big warm heartfelt and healing ones, the kind I like. I would wholeheartedly recommend this book to anyone looking for fantasy YA, and I’d add it to the reading list I’ve made of works by Nnedi Okorafor, N.K. Jemisin, and Alaya Dawn Johnson (all of whose work you should also try if you haven’t yet).

Now, as often happens with YA these days, I did bounce several times nearly two-thirds through. My dislike of YA star-crossed romance tropes—and my fear and anticipation of the next guessed-at story beat—got the better of me. But each time, what Adeyemi actually wrought was so much better than what I’d feared. She did conform closely enough to the tropes for the story beats to be recognizable as those tropes, but she wrote them well. Better, she wrote them differently enough that I, as someone who struggles through those pieces of YA novels, enjoyed it. Tomi Adeyemi is skillful and capable, and she twists characters around and makes them suffer, and she does it brilliantly.

This book is beautiful and powerful and magnificent, it is evocative and compelling, I love it. And I absolutely admire it as craft and as message. Children of Blood and Bone calls out brutal truths about our own world. I fervently hope it reaches more people… and that we change our world.

Thank you, Tomi Adeyemi, for making this and sharing it.

I’ve already picked up Children of Virtue and Vengeance, the sequel.

Mining my boarding school experience for Cesium Deep

This one is going to be a little more personal. Also a little more disjointed.

I went to a mixed boarding / day school for high school. I was there as a boarder.

My time in my dorm was both great and awful. It’s part of where I’m drawing inspiration for the story I’m writing about Cesium Deep.

When I say that my time in my dorm was great, I mean that I met and made friends with some awesome people. I came to love living in a community, and felt close to some of my dorm mates in a way that is hard to explain. Some of those friendships existed because we were teens who were able to live in the same space and share our passions and interests in ways that I hadn’t really thought possible before boarding school. Sometimes, living in a dorm was a hell of a lot of fun.

But some of those friendships existed because we survived the awfulness together.

I don’t think it’s surprising that no one else from my dorm came to our 10th reunion.

When I say that my time in my dorm was awful, I mean that Continue reading

Trouble Writing Cesi

When I was first writing Bury’em Deep, the editor I was working with through my mentorship program asked me to write scenes from inside Cesi’s head. She wanted, ideally, for the book to include sections or chapters from Cesi’s perspective.

It was a good idea, and Continue reading

The Music Behind Bury’em Deep

This is an incomplete list of the songs and artists that built the soundscape I tried to stay in while writing Bury’em Deep (and editing and rewriting it, and, well, you know).

The initial bulk of the music was industrial, with a few other genres tossed in. I think there was something about the frequently wordless, highly rhythmic, often distorted quality of that music that drove my sense of living inside a spaceship. My vision of those spaces was not the JJ Abrams Star Trek Apple Store feel of white, glass, and lens flares. It had more in common with World War 2 era submarines. Any gleam or shimmer came from the false realities of glasses’ environmental skins.

The next place I took musical inspiration from was synthwave. Something about the way those sounds combined with the more grating and grinding industrial music fused the feeling of large heavy machinery with complicated computers. Better yet, the synthwave often had a driving beat as well, something that mimicked and pantomimed the rhythms of the industrial tracks that had first sparked my imagination.

This means that alongside Front 242 (Tragedy For You), lots of VNV Nation (specifically tracks with fewer words), Foetus (Love, and (Not Adam)), and Ministry, I had heaps and piles of tracks from Makeup and Vanity Set (everything they made for Brigador, plus at least five other albums), Perturbator, Lazerhawk, Kavinsky, and Waveshaper.

Then, the more idiosyncratic additions and odder pairings, the ones that I couldn’t ignore:

VNV Nation’s song 4 A.M. flows seamlessly into the choral version of Barber’s Adagio for Strings that you find at the opening of the Homeworld soundtrack. I later discovered Edward Higginbottom’s choral version of that Adagio for Strings. I used the rest of the Homeworld soundtrack too.

I listened to two remixes of tracks from Star Control 2. They were Starbase – Under a Red Sky, and Property of the Crimson Corporation.

I listened to Holst’s Planets, and Clutch’s eponymous album. I cycled through several tracks off Tomoyasu Hotei’s album Electric Samurai (especially Dark Wind and Howling). I listened to SomaFM’s space mission station, and Science from the album Sounds of GE. Sometimes I listened to Orbital, primarily their Blue Album and In Sides. I used tracks from Receiver, by H Anton Riehl, and NASA’s Symphonies of the Planets: Voyager Recordings.

Sometimes I listened to one album or track on repeat for hours on end. My musical desires grow strange(r) while I’m writing.

If you have any of that music, I suggest playing it while you read the book. If you don’t have the book, I suggest listening to that music and imagining what it feels like to live trapped in a tin can in the far reaches of our solar system.

What year is Bury’em Deep set in?

What year is it? Why don’t I say?

Well, for one thing I don’t want Continue reading

Nutrient Paste in Bury’em Deep

I don’t ever state this explicitly in Bury’em Deep, but food for spacers is more complicated than simple nutrients. In fact, Continue reading

Setting Material for Bury’em Deep (and sequel), pt. 2

This one’s a close follow up to last week’s post. Again: rough draft material, only partial, subject to change. This time, I’m diving deeper into the Rhean intelligence apparatus, and what influence it’s had on Rhea and beyond! Continue reading

Setting Material for Bury’em Deep (and sequel)

While I’ve been working on writing a sequel to Bury’em Deep (yes, I changed the name), I started working my way through some background material that seemed important. This is all rough draft material, only partial, and subject to change… but I thought you might enjoy some of the details! Read on for tidbits of Rhea’s history and its place in the politics of Saturn-space. Continue reading

Castle in the Air, by Diana Wynne Jones

CastleintheAir

At least this cover doesn’t make me want to devote another 500 words to critiquing it.

You’d be forgiven for thinking that Diana Wynne Jones cribbed from Disney’s 1992 Aladdin, but Castle in the Air came out first (in 1990). Perhaps more strangely, I haven’t found anything about the making of Aladdin that confirms that they were inspired by Castle in the Air… but I wouldn’t be surprised if there was some cross pollination.

As with Howl’s Moving Castle, perhaps even more so, this is a book that I want Continue reading

Howl’s Moving Castle, by Diana Wynne Jones

 

HowlsMovingCastle

Howl’s Moving Castle is an excellent book. I’m indebted to my friend for recommending it to me; I knew the book existed, and I already loved the Miyazaki film, but it was her mention of it that finally pushed me over the edge.

Now that I’ve read it, I have to say that Diana Wynne Jones Continue reading