Setting Material for Bury’em Deep (and sequel)

While I’ve been working on writing a sequel to Bury’em Deep (yes, I changed the name), I started working my way through some background material that seemed important. This is all rough draft material, only partial, and subject to change… but I thought you might enjoy some of the details! Read on for tidbits of Rhea’s history and its place in the politics of Saturn-space. Continue reading

Setting Work for Swamp Gangsters

I did some thought exercises and prep work for the setting I developed for Latour and their friends, back around the time that I wrote the first story in that setting. I didn’t share any of that work with an audience when I wrote the first stories, but climate change has been eating up most of my brain space today and this seems like an appropriate time to share.

Yes, Latour and Ren and the Pats and Cap all exist in a loose version of our world. No, I haven’t ever decided exactly what year it is.

But there’s a reason that everything in those stories happens on boats and floating structures.

When I was first thinking through the setting for that group of stories (I have more that I haven’t posted, due to wanting to be paid for them at some point) my thoughts were as follows… Continue reading

Characters’ Emotional Arcs, Quick Thoughts

I had a frustrating but informative (and helpful) experience this afternoon while attempting to fix my plotting problems for the sequel to Barium Deep. After I had resolved multiple problems with my plot arcs, charting them out for my own clarity and future reference, I couldn’t plot one of the emotional character arcs that I wanted for Cesium (the POV character for the second book).

I wasn’t doing anything very complicated, just tracking some of the beats for the specific section of storyline that I wanted to follow. That made my struggles all the more obvious.

Minutes before, I’d plotted out a parallel series of arcs for a totally different story; they’d flowed easily, and made good sense. They were simple, straightforward, and very formulaic—which felt fine for the first pass on an idea that came to me last night. I’m sure that they’ll change and become more interesting once I’ve worked more with that story. If they don’t, I might discard the story or put it on ice.

But those arcs, with their clear points of conflict, transformation, and growth, had come so easily that my difficulty with Cesium was glaring.

A brief aside: the idea that came to me last night dealt with using magic (or something similar) as a manifold metaphor for anger, and perhaps war and military service, with weaker connections to violence and abuse.

The physical plot for Cesium felt simple and straightforward. It fit neatly within the expected bounds of adventure fiction and other upper middle grade stories. Even though I know I’ll change it in a heartbeat if I find something else more emotionally and thematically compelling, it feels good to have laid it out. The problem with Cesium’s emotional arc was that I was (and still am) unsure of what approach I want to take, or how to zero in on Cesi’s changes in ways that will feel rewarding without feeling too neat or pat.

I think it comes down to disliking the pattern of total character transformation that I’ve seen in some middle grade stories. I find incomplete transformation more rewarding, because of how it allows individuals to face their struggles as slightly modified versions of themselves rather than as different people. This fractional shift of self is less important when a story covers a long period of time, as more shift can occur without seeming too abrupt. But when I want a reader to follow a character’s emotional shift from A to B, I feel it helps to highlight the ways the character is still uncomfortable / unfamiliar with their new experience at B. At some point they’ll feel comfortable in the new experience, and that will be cool, but if the story is about them facing that experience I want facing it to be dramatic, tense, uncertain.

The upside of all this is that I think I’m closer to a working draft of Cesium’s story. But I clearly still have more work to do.

Flash Fiction: Hope

In a return to form, I’ve got more flash fiction for you from Chuck Wendig’s regular prompts over at terribleminds. This one got away from me. By which I mean, this is not what I’d set out to write in the first place. It wasn’t what I’d expected, but I couldn’t stop writing it, and it felt right anyway. So here it is for you.

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Flash Fiction: France is Made to be Broken

It’s been a while! I’m currently finishing Barium Deep again, and getting ready for my next manuscript (which I’ll be writing this upcoming semester). But I thought it would be nice to revisit some old Flash Fiction Challenges that I missed. So here you have the “Idiomatic Challenge,” which I suspect I’ll come back to again. The idiom I got is more or less the final sentence of the piece (except for that ‘and’ I added).

Enjoy!

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More Barium: 9/6

This one’s a bit short. As before, it picks up immediately after where the last one left off.

Enjoy!

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More Barium: 9/5-6

This continues my pattern of giving you enough to wish you had more. If you were expecting that to change, well… I’m sorry. The previous entry can be found here, this continues immediately from the last segment.

Enjoy!

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More Barium: 9/5

Here you go, a little more of Barium and Cesium for you. Same deal as usual, it picks up immediately after where it left off last time. Enjoy!

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More Barium: 9/4-5

Whoops! Nearly let this one get away from me. Same deal as usual, more rough material that picks up immediately from the last post.

Enjoy!

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More Barium: 9/4

At some point soon I might start giving you material from the second draft instead of continuing this. There are so many changes being made! A lot of them are small, but they add up. And, of course, there are a few big ones. Regardless, this rough material follows from the last post just like usual. Enjoy!

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