I saw a number of things at the theater when I went there on Wednesday: there was a trailer for a Beauty and the Beast remake (which looked about as uncomfortable and undesirable as possible), a trailer for Hidden Figures (which looks spectacular), and there was Moana.
Holy shit I really liked Moana. It somehow feels old (in a good way) despite the fact that I don’t think Disney has done anything like it anytime recently. In some ways, they’ve never done anything like it at all; a female main character who goes on a mythic quest and succeeds without being disempowered, sidelined, or told that she must be a man.
I also felt like the movie’s depictions of human beings was simply far better than many previous Disney movies’ had been. The characters felt believably human, honest to themselves and their own desires from the audience’s perspective (even if they weren’t really emotionally honest with themselves if you know what I mean). I have a hard time thinking of which other Disney movies are operating on the same level. If you like watching animated kids movies now, this one should be at the top of your list. If you have fond memories of animated kids movies but aren’t sure whether you’d still like them, watch this one. It’s worth it. Yeah, some of it seems like it’s an obvious product of modern sensibilities, but is that always so bad?
Speaking of which, why the hell are they remaking Beauty and the Beast? The trailer made it look like they were reprising basically everything from their 1991 version… but doing it in live action with huge heaps of CGI. Blatantly cashing in on nostalgia is hardly an admirable starting point, and doing that with a story that portrays creepy manipulative abusive behavior as not only normal but romantic without doing anything to comment on that is extremely objectionable. How about them modern sensibilities.
Oh, and as for Hidden Figures, it tells the story of three women of color working for NASA leading up to John Glenn’s orbit in 1962, with Janelle Monae, Octavia Spencer, and Taraji Henson. Yes, that Janelle Monae. I’m very excited.