Coco

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Feast your eyes.

I’m going to keep this incredibly short, and will avoid spoilers to the best of my ability.

I have now seen this movie twice. I will probably see it again while it is still in theaters. I cannot say well enough how much this movie has affected me. I have regularly teared up while simply thinking about it. After seeing it the second time, I now find it hard to hum the central song because I start to cry. It’s really exceptionally good.

Coco is set in Mexico and the Land of the Dead over the course of Día de los Muertos. It is about a young boy named Miguel, and his relationships with his family and with his dreams. It deals with family, memory, legacy, and death—and the joys and costs of following your dreams. It is also about controlling the lives of others.

I loved damn near every minute of it. And I spent roughly the last third of the movie crying, thinking I was done crying, and then crying some more. Also laughing.

The themes of death, remembrance, legacy, and memory all resonated strongly with me. This may be because most members of my family in my grandparents’ generation are dead, and I’ve spent a good deal of time thinking of and mourning them. It didn’t hurt that the rest of the movie all sat well too.

If you’re worried about representation and appropriation, I’d like to note that Latinx critics have been relentlessly positive (*SOME SPOILERS IN THAT LINK*) about the film, and that the vast majority of the cast is Latinx (along with significant members of the writing, directing, and design staff). Honestly, it looks like Pixar has succeeded fabulously with this one. I don’t think I can recommend watching it strongly enough.

I have difficulty fathoming why Disney chose to package this film with a 25 minute Frozen short immediately preceding it, which cannot help but suffer by comparison, but I assure you that the short is worth sitting through for the sake of seeing Coco.

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