Category Archives: Games

Putting Power in Players’ Paws

Posted on by Mattias Lehman

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Ok, so your players probably have hands, not paws, but I liked the alliteration.

The traditional roleplaying game, D&D, is very much structured in a specific way: the GM has a specific game/plot/monster that the players have to beat. In this way, D&D is structured much like a computer RPG, it just happens to be played with multiple players (and so can Baldur’s Gate 2, not to mention World of Warcraft).

There is value to this model; if you have one GM who is particularly good at plotting stories and taking care of all of the details of the world, and a lot of players without a knack for world-building, well, why not run a game like this? Labor gets divided up appropriately, and everybody gets to do what they’re good at.

Typically, however, everybody has something to offer to the story if given the chance, and 4 minds can probably come up with better ideas overall than just 1. This is why, typically (especially if I really trust the players), I prefer to run games that are much more player-driven. For me, good player-driven systems are those which have narrative elements built into them. The most obvious examples would be any game with a Fate point system. Such systems tend to give fate points to the player, and they can narrate something about the world that is unlikely but still possible by expending a Fate point. However, for me, the pinnacle of player-driven games is Apocalypse World. I understand that there are MORE player-driven games, but I find that the lack of a solid authority in completely player-driven games tends to leave most people feeling unsatisfied. Apocalypse World is the perfect balance: it lets the players help create the world and orient the plot, but doesn’t give them too much power to determine results.

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Player Action, Player Inaction

Posted on by Henry

I have often focused too narrowly on what will happen when the players follow the trails that I have laid out for them.  But what do you do when the players don’t want to play with any of the plot you’ve got prepared for them?  And what happens with the problems that they’re ignoring?

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Mechanics Guiding Playstyle

Posted on by Mattias Lehman

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Earlier, I discussed how certain roleplaying systems exemplified certain gaming orientations. To an extent, this is a very peculiar notion. More specifically, it’s a very basic shorthand. After all, mechanics can never force your actions. But the way mechanics are set up can really impact the way the players think about the game.

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Design Elements in Horror: SCP Containment Breach

Posted on by Mattias Lehman

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I’ve never particularly been a fan of horror games; they don’t weird me out, they don’t make me feel gross, and they don’t frighten me. Amnesia, Slenderman, FEAR, they’ve all struck me as sort of disappointing. They have occasional moments of “OH SHIT SOMETHING JUST HAPPENED!” followed by a lot of feeling in control. But I played one game recently which left me with a unique sense of both horror and dread I’ve never felt playing a game before. That game was SCP Containment Breach.

Warning: this whole post contains minor spoilers of the first 15 minutes (and the basic concept) of the game.

Here are some videos of me playing SCP: Containment Breach

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Lessons I’ve Learned about Naming NPCs

Posted on by Henry

Names are hard.  You want to make sure that the people and places you’re creating sound believable, and you don’t want to keep repeating the same things over and over (unless there’s a name like Michael in your game world, in which case you should probably just name everyone that since that’s how it works in real life).  I’ve made and seen some pretty funny mistakes with naming things, so here are a few of the things I’ve learned…

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Types of Games

Posted on by Mattias Lehman

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In my last post, I talked a lot about what roleplaying is, and – surprise! – it wasn’t just one thing! That is part of the beauty of roleplaying, it’s full of options. What are these options?

Well, first, we have the three qualities talked about before:

Roleplaying, Storytelling, Mechanics. To keep in line with the existing literature on Gaming Theory, I have slightly renamed the categories I used in the previous post. I have renamed ‘Mechanics’ as ‘Competition’ (it goes by ‘gaming’ in GNS Theory, but I find that to be a bit ambiguous of a term); it essentially refers to how much of the experience of the game is rooted in competition. Storytelling will be referred to as ‘Narrative’, and Roleplaying will be expanded slightly to ‘Simulation’. Simulation refers to how much of the setting goes to recreating system-internal realism. Note that this realism does NOT have to be actual realism. For example, many unrealistic things happen in Star Wars, but there is an assumed set of rules which governs things like lightsabers. Any given game will have a balance of the three, like so:

Game-Qualities

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Controllers: Interfacing With Your Audience

Posted on by Jason "Zeeblee" Leonard

Zeeblee

When discussing game mechanics we need to remember that there is more to gameplay than just the on-screen interactions.  There is a real-life interaction happening during every single game you play, and it occurs between you and the controller.  When designing a game you can’t just take this for granted, and it is actually an interaction which deserves a lot of thought.  How you want your player to interact with the game world can determine exactly what system your game should be released for as well as whether or not you will need an extensive controls tutorial to educate your players.

Before getting started on your game you should ask yourself, “What control systems do I have access to?”  This is an important question because each controller type places hard limits on potential player actions.  By this I mean that every controller has a different number of buttons which players can press (or nobs/joysticks to fiddle with, but we can pretend they are just a bunch of buttons), and that number of buttons acts as a ceiling value for how many actions you can offer to the player.  On one end of the spectrum we have the single-button, single-joystick Atari, with the Xbox 360 controller being somewhere in the current middle, and near the end the current rendition of the computer keyboard.  To be more specific:  A Nintendo controller has eight buttons (A, B, Select, Start, four directions on the D-Pad) while a computer keyboard can have around 84-102 buttons.  This means that if you were to assign a single action to a single button that the Nintendo can support eight individual actions where the computer can support at least 80 different individual actions.

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How I Run a Game

Posted on by Henry

Much like with Jason’s article, this is not meant to be an exhaustive discussion of how to run a game.  It also isn’t meant to be prescriptive.  Like it says on the tin, I want to share with you how I go about running games these days.  Curious about success through brainstorming and improvisation?  Keep reading.

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What is Roleplaying?

Posted on by Mattias Lehman

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If you’ve never been exposed to roleplaying, it can be hard to understand exactly what it is. Thankfully, pop culture knowledge has progressed from the point where roleplaying is no longer linked with satanic ritual, and is instead linked with socially awkward nerds:

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How I Make a Character

Posted on by Jason "Zeeblee" Leonard

Zeeblee

As a person who is primarily a player in roleplaying games instead of a storyteller (game master, dungeon master, etc.) I figure the best place to start is where we all start: character creation.  Everyone has their own preferences when it comes to character creation, so in no way will this to be taken as a “how-to” guide.  This article is merely a sort of stepping-stone and perspective-setter.  The three approaches I take to creation I will call Who, Stats, and Hybrid.  In this article I will do a quick overview of what each of those approaches looks like, but I will save delving into each for later articles.

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