Over the Woodward Wall, by A. Deborah Baker

Over the Woodward Wall (written by Seanan McGuire under her pen name A. Deborah Baker) is the first in a series of middle grade adventure stories in a mixed up sometimes-lovely sometimes-scary fairytale land. In many ways, it evokes Alice’s Adventures in Wonderland. The setting’s surreality contrasts perfectly with the very real-feeling children who are this story’s stars, and the book does an excellent job of conveying earnestly true human experiences and life lessons while taking us on a dreamy-and-nightmarish impossible (sorry, I mean improbable) journey.

This should be a guaranteed home run for me. However, my fondness for this book ebbs and flows, a cycle driven by my mixed opinions about the narrator. It is my fondness that shifts though—I like it, I just like it by varying amounts depending on my mood. So what do I simultaneously admire and want to complain about?

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Game Analysis: The Stanley Parable

Zeeblee

Before I get into any discussion I must first say that the game is wonderful and you should play it. If you have already played it, don’t plan on playing it, or just don’t care about spoilers, then you should feel free to read on. Otherwise you should go and play The Stanley Parable and then come back.  Go ahead and read Jim Sterling’s review as a way to motivate yourself.

If you’re still unmotivated to go and play before I go into my analysis, then consider this: How much choice do you really have when you play a game? Do your actions truly affect whatever narrative you are participating in? Does deviating from the defined path truly do anything? The Stanley Parable experiments with these questions in a fantastically intimate way.

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