Vampires, billionaires, & entrenched power, 9/10/26

Vampires and billionaires were a thing in the 2010s, objects of fascination and fantasy. This was exemplified by the Twilight and 50 Shades books and movies. Those stories were part of a return to a fascination that we’ve had before, and part of a larger pattern of fetishizing terrifying concentrations of (abusive) power. As has been true previously, the themes that reached the larger zeitgeist were fantasies about some powerful and implicitly dangerous hunk who would obsess over us, sweep us off our feet, and (romantically) ravish us while also offering us impossible financial security. We might also have the personal validation of being able to “fix” the bad boy / billionaire / vampire or make him feel true love for us (they’re kind of the same thing, and they’re evidence that, first, we were right that he wasn’t totally unredeemable, and second, that we were special somehow because he changed for us). The overtones of contagion (and the fear of disease) from earlier vampire crazes still lingered in the background, but they were downplayed in favor of emphasizing the weird power dynamics between a mortal and a mostly-immortal lover.

I don’t think it’s surprising…

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More Miska: 1/28/2016 pt.2

And this is the end of my first pass through Miska’s story for now. At least until I have more time. Let me know what you think. If you missed it, the last post is here.

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More Miska: 1/27/2016 pt.2

Sorry about the cliffhanger last time.  It might happen again.

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More Miska: 1/27/2016

And so begins the chaotic finale.  Rough drafts, etc., you know the drill.  Have fun!

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Lion’s Blood, by Steven Barnes

I wish I’d heard of this book years ago. I think it’s incredibly important, and I wish that it weren’t.  Why?

It is so easy, as a white man, to think that you understand troubles that others face, to think that you have read and spoken enough about a given issue to feel like you know more or less what’s going on, and why people feel and think the ways that they do.  In many cases, you have to actively search out conflicting points of view and other narratives in order to prove otherwise, and why would you bother doing that when you don’t know about them in the first place?  Why bother when you think that you’ve already got a good grasp on things?

In Lion’s Blood, Steven Barnes takes a fundamentally simple concept and uses it to explore a number of things… it’s quite simply a good and fun (if painful at times) book.  But the reason that I think it’s important and wish that it weren’t is that it confronts head on that feeling of complacent surety, the comfort of thinking that you know enough about historical (and modern) problems and don’t have to look deeper to examine your own place, your own implicit beliefs.

Lion’s Blood posits a world in which Africa rose to prominence, rather than Europe.  A world in which the slaves working the fields of the New World are white, taken from their tribal villages to work the fields of rich Muslim landowners.  Steven Barnes tells a familiar tale here, with a narrative that feels comfortably close to our expectations, but it’s one in which all the cultural and ethnic trappings have been inverted from our standard expectations.  And somehow that inversion was enough to shake me out of my “ah yes, this story again” complacency.  Better yet, it drove home yet again the violence done to people through the institution of slavery, and (I think) might help to wake some up to the systematic oppression which slavery engenders in a society.  And, of course, it tells an excellent story, one well worth reading.

Look.  I don’t want to ruin this book for you, so I’ll put it like this: this book is sad, tragic, and uplifting; this book is a marvelous adventure story; this book reminds you of why our current society is so screwed up in so many ways, as we deal with the toxic legacies and variably covert attempts to continue the oppressive power struggle at the heart of slavery. I’m deeply impressed.  I want my own alternate history to be as good as this book is.

P.s. I found Lion’s Blood on this recommended list of books by writers of color.  I intend to go back and find more to read, and would suggest that you do the same.

Flash Fiction: So many guns

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Another week, another bit of flash fiction adventure.  Chuck Wendig brought back the X meets Y challenge (last time I got Transformers meets Toy Story, which somehow led to a magical girl inspired western).  This time I got True Detective meets Guardians of the Galaxy.  I was stumped at first, but then I realized that GotG is actually just classic adventure fiction; I can easily replace space with water and spaceships with boats, and end up with a solid swashbuckling genre homage instead.  As such, I wrote the piece in my Elven Progenitors setting.  I think you’ll see the True Detective parallels without too much effort, if you have a decent memory for some of the episodes and character dynamics.  This is, of course, it’s own thing.  I also consider it more rough than usual, since I’m a bit rushed; I have to go get in line for the Avengers!

Anyway, I hope you like it.

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