Furiosa: A Mad Max Saga (2024)

The more I think about it, the more I think it’s unfair to compare Furiosa to Fury Road. The problem is that I keep making that comparison anyway.

I keep making that comparison despite the fact that they’re fundamentally different styles of movie. It doesn’t help that they’re both in the same setting, no other movie in the setting came out between them, and their storylines tie directly together. Somehow it doesn’t matter that one was honed to a razor edge of high speed clarity while the other literally has “saga” in the name (sagas, not exactly known for being fast paced stories).

Fury Road told an extremely snappy story with its boot firmly on the accelerator at all times. Furiosa tells a rather long story at a slower pace, split into multiple segments by literal chapter breaks. Fury Road builds all of its characters’ backgrounds up through quick snippets and rapid-fire context clues, while Furiosa sits us down and tells us—in detail—how things came to be. They’re in the same setting, but they have wildly different approaches to storytelling. They just happen to exist next to each other in both story-time and release date.

What I’m saying is…

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Fog & Fireflies, by T.H. Lehnen

I want to see this animated.

In so many ways this made me think of something from Hayao Miyazaki. There’s a certain blend of wonder and fright within a gradually accelerating story that feels so distinctively Miyazaki-esque to me. This story captures that.

It has the meditative pacing. It has the gentleness over slowly growing undertones of threat that I associate with Studio Ghibli’s work. And it has Ogma, a classic Miyazaki-heroine; as the pressure mounts and Ogma’s world slips out from under her feet, her understanding of the world is transformed while her stubborn and hopeful nature remains.

Like I said, Fog & Fireflies feels extremely Miyazaki. I think it would thrive as a Studio Ghibli creation.

This doesn’t surprise me, as I’ve known T.H. Lehnen for years. We’ve been friends since we were in college and have played many hours of roleplaying games together, particularly Call of Cthulhu. I can see some of the horror that I know T.H. Lehnen enjoys creeping around inside this story. It’s that horror which I think completes the Miyazaki comparison.

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