I started writing a piece last week, and now I’ve finished it. Or, well, I have a new first draft that tells the story I wanted to tell. That’s usually what I mean by finished, here. This piece is in the same setting as Trouble Close Behind and Bloody Expanse, though it’s a bit different. This one was inspired by Chuck Wendig’s X Meets Y Horror prompt. Read on past the break!
This is a little piece that I’m writing for Chuck Wendig’s most recent challenge, an X meets Y horror story. I, of course, got Psycho meets The Muppets. We’ll see. I wanted to get some of it done for you today, which is why there’s any post at all, but now I need to go back to doing my actual homework. You might recognize the setting from Trouble Close Behind and Bloody Expanse. Enjoy!
Not exactly how I imagine Hobb, but Isom Dart is close enough.
Chuck Wendig’s flash fiction prompt this week involved a randomly generated title and a 1500 word story, which led to what you can see above and below. I’m not sure exactly what caused that to make me think of what follows, but it felt about right. Ideas I passed over in favor of this one include: medical drama, massacre, way more murder… etc. I think I like this one better, as it’s an indirect sequel to my piece Trouble Close Behind from January 22nd. Enjoy. Continue reading
Right, so, I’ve finally got Chuck Wendig’s “X meets Y” prompt finished. I already told you the two prompts I discarded out of stubbornness (Fast and the Furious meets The Godfather, and The Matrix meets True Grit), but here’s the one I got first: Transformers meets Toy Story. This, of course, is how I ended up with something that feels a bit like a sci-fi horror western with magical girl-esque figures, all in barely less than 2000 words. It makes perfect sense*. I hope you enjoy it. If you do, I have more for you.
Lina stood at the edge of the bar’s porch, staring down the busy street as a familiar figure slowly rode closer. Her hand rested lightly near her gun while her other picked at her chapped lips. Mare was in town. Trouble couldn’t be far behind. Continue reading
There’s so much that I want to tell you about this show, but telling you would be a disservice to you and to Puella Magi Madoka Magica. This show deserves better than that; I might even go so far as to say that it deserves to be watched. I’m not saying that it is the alpha and omega of anime (or even of magical girl anime), but it is exceptionally well made. From the standpoint of appreciating artistic storytelling craft, this is a show that you will want to see.
The art itself is of variable quality. Some episodes received more time and effort than others, in part because of the end of the show’s release schedule coinciding with the 2011 tsunami. Background facial animation, for example, is minimal regardless of episode, while the last two episodes truly shine with the extra time that the studio took to release them after the tsunami. But the anime’s visual design is just as fascinating and worth attention as the storyline itself. The witches, foes of the show’s magical girls, are bizarre and appropriately unsettling, and each feature their own distinctive style of illustration. More on that later.
However much I liked the studio’s fascinating art choices, my favorite part of Madoka still has to be the storyline. I’ll try not to spoil you, so let me put it this way: if you want a happy show, you should pick something that doesn’t have schoolgirls struggling to shoulder the burden of protecting the world. Sound interesting?