There’s so much that I want to tell you about this show, but telling you would be a disservice to you and to Puella Magi Madoka Magica. This show deserves better than that; I might even go so far as to say that it deserves to be watched. I’m not saying that it is the alpha and omega of anime (or even of magical girl anime), but it is exceptionally well made. From the standpoint of appreciating artistic storytelling craft, this is a show that you will want to see.
The art itself is of variable quality. Some episodes received more time and effort than others, in part because of the end of the show’s release schedule coinciding with the 2011 tsunami. Background facial animation, for example, is minimal regardless of episode, while the last two episodes truly shine with the extra time that the studio took to release them after the tsunami. But the anime’s visual design is just as fascinating and worth attention as the storyline itself. The witches, foes of the show’s magical girls, are bizarre and appropriately unsettling, and each feature their own distinctive style of illustration. More on that later.
However much I liked the studio’s fascinating art choices, my favorite part of Madoka still has to be the storyline. I’ll try not to spoil you, so let me put it this way: if you want a happy show, you should pick something that doesn’t have schoolgirls struggling to shoulder the burden of protecting the world. Sound interesting?
Kill la Kill is a bizarre combination of disparate elements. It follows the genre expectations of Shonen manga, with semi-constant fighting, growing friendships, and that strange running theme of turning one’s previously defeated foes into new allies, but it replaces the normally male leads with female ones and does the same for many of the villains as well. Despite this refreshing gender-reversal, the show still drips with male gaze and fan service; there are a few moments where the show mentions how ridiculous this is (as the protagonist rages against the stupidity of her outfit), but Kill la Kill still falls into the same visual patterns and doesn’t really change that paradigm.
Kill la Kill (careful, spoilers) excels at the absurd, as one might expect from the same creative directors who brought us Tengen Toppa Gurren Lagann, and offers a look at fascism and fashion. Or maybe it’s fascism by means of fashion? The story begins as one young woman’s quest to avenge her father’s murder, as she sets herself against the leader of Honnouji Academy, whom she suspects of having arranged his death. This school is a fascist dictatorship in which power-augmenting school uniforms are used both as a reward and as a means of control. Things only get weirder from there. I think it’s quite enjoyable in the end, but you should probably read at least some of my mixed feelings below.
Surprised to find that I like the show? So was I!
Girls und Panzer is an anime about girls in their early teens being (mostly) nice to each other. It’s also about tanks, and about young girls shooting at other girls driving other tanks. Don’t think too hard about it. The show is actually fairly high quality; the tanks are lovingly rendered in well-done CG that meshes with the rest of the art, and the writing delivers pretty much everything you could want from an anime about young girls and their tanks. Besides which, the premise is just too much fun: Girls und Panzer offers heavily armed and armored vehicles cavorting across the landscape as their adorable and irrepressibly friendly crews wrestle them into thrilling mock-combat.
If that doesn’t pique your interest, don’t bother. If, on the other hand, you think it sounds interesting… read on!