Take one of my favorite writers and give him license to contribute to the phenomenally successful Honor Harrington series, and what do you get? You get Eric Flint working with David Weber on the short-stories-turned-novels, Crown of Slaves and Torch of Freedom.
Do you like space opera? How about great characters engaged in spy games and intrigue? Or maybe true badasses going up against incredible odds? All of them? Good. I’ve got some books to recommend to you.
Ultimately, campaigns, much like movies, are about your protagonists. Much as Henry said in his previous article on Screen Time, “by running a game you are agreeing to give the PCs the stage”. Of course, by ‘the stage’, he meant something akin to ‘camera time’. But not only should the camera follow them (mostly), but they should also be the movers and shakers of the universe. Of course, there are some exceptions: villains will often be stronger than PCs, especially in games with elements of horror. And there may be campaigns in which the PCs have limited agency (or are a part of events bigger than themselves). But in those cases, they should still, ultimately, be the agents of the events they ARE privy to.
When you’re playing an RPG, which characters get screen time? Where should the focus be? How can a storyteller make sure that they’re not giving their players short shrift? Finding a good balance and learning how to give your players’ characters the focus that they deserve is an art, one that requires awareness of where your attention is at any given moment.
It may seem strange to hit this topic now; I haven’t even defined what I think a game is! For now, I’m going to put that question off, but say that there are three types of games:
I thought I’d give a quick update; our weekend adventure proved to be more excitement than we could handle!
I ended up succumbing to the heat with a fever and earning a wounded knee, while Jason lies stranded in Spokane, Washington. We will return to regular posting shortly.
For those of you out there already aware of Monaco and its rave reviews, this will be very familiar. If you haven’t yet read those reviews, they’re right. At least, the ones that refer to Monaco as delightful and occasionally vindictive are. It’s a wonderful heist game that — as you keep taking — just keeps on giving. I haven’t yet finished the game, and I anticipate many more hours with it.
The Mongoliad, Book One, is the first in a series of books written by a collection of authors (Bear, Bear, Brassey, deBirmingham, Moo, Stephenson, Teppo). It is an alternate history starting in 1241 AD with brief moments of the fantastical / spiritual. They make no jokes about the devastation wrought by the Mongols, and paint a convincing portrait of medieval Europe (everything is dirty and most people are poor). It’s a quality story, with the promise of more good tales to come.
Hello readers!
This post is under my name, but really, it comes from all of us here at Fistful of Wits! How can I say that? Because Henry and Jason are in town! We’re here to help some old college friends celebrate the completion of their theses and their imminent graduation, but while we’re here, it’s time for a little bit of collaboration! So here’s a sneak preview of what you can expect to see next week!
Next week, we’re going to be focusing a lot on the idea of games as cinematography, through discussions of narrative tools such as ‘cameras’, ‘focus’, schticks, and more. I also hope to put out my first short story! There also might be a first recorded RPG going up; if not, maybe just snippets of one. And finally, select clips from our first few planning sessions (over Skype)!
But expect next week to be spotty as we recover from our revelry.
Servant of the Dragon is the third book in the epic fantasy series Lord of the Isles, written by David Drake. Published in 1999, it is a excellent sequel and addresses the few issues that I previously had with the series while continuing the better traditions of the first two books. I recommended the series before, I recommend it even more strongly now. If you want to dive into a fantasy setting built on the sunken ruins of an Atlantean past, constructed from the stones of Sumerian mythology and mortared with Greek and Roman poetry, this is the series for you.
It has been a good long while since I’ve read The Great Gatsby, but I’m fairly sure that The Great Gatsby for NES does not truly reflect the novel in any way outside of its cutscenes and aesthetic. It’s built just like any old platformer where it tells you the controls, but doesn’t tell you anything about the game world (though the controls are not displayed in-game). It’s really short, so there isn’t all that much to actually comment on, but I found it enjoyable and worth a playthrough. The lack of a pause button means it’s sort of an all-in adventure, but due to its short length that’s actually not that awful.
The one thing I will comment on is how I think it did a poor job of educating the player on how to fight the first boss. Your attack (throwing a hat) operates as a sort of player-seeking boomerang. The first boss is most easily defeated through the use of this mechanic by throwing the hat and then jumping up near the boss, but there is a problem: the game doesn’t really present this to you as something important to practice until the boss fight. Just about every enemy you encounter can be dealt with by just throwing the hat straight at them, which then also makes it bounce straight back to you. The range on the default hat (there is a yellow hat power-up) is also extremely short, so there isn’t much opportunity to alter its trajectory. On top of that the screen is actually rather thin, and since it tracks the player avatar (keeps it in the center) the short attack range of the default hat ends up being almost equal to your field of vision. This makes it so you can’t really prepare for enemies by throwing out long shots, which also means that there isn’t much time to play with hat trajectory. The issues of range/sight combined with how just throwing straight is all you need means the player likely won’t discover and develop the technique(s) required to manipulate the hat projectile in the first boss fight until that very boss fight. Developing the skill required to defeat the boss is also rather unsatisfying as it never comes up again and the rest of the game can pretty much be played as before (throwing straight shots).
But I’m willing to look past this flaw because of just how classy the game is. Or maybe it’s because I drank a martini every time I grabbed up a martini power-up…
Fistful of Wits 