I don’t know if you want to read about how Lloyd Alexander constructed emotional transformation for his characters, but I wrote a paper fanboying about it last fall. I don’t want to fall out of the habit of posting something, even if I’m too busy to write a new post, so I’ll share that paper with you instead. I’m not sure how well the formatting has survived the transition. It looks legible from where I sit. Cross the vast gap of this break to enjoy it.
I’d forgotten just how much I enjoyed Lloyd Alexander’s The Book of Three and the rest of the Prydain series when I was younger. I think I also missed a lot of the gendered subtexts (many of which are pretty overt) when I was reading Alexander’s work the first time through. Or rather, I didn’t pay much attention to them even though they were right up in my face. Rereading Lloyd Alexander has been a bit strange.
I’m afraid I don’t have anything more deep for you. I have to go back to work, reading more Lloyd Alexander and Colonial and Post-Colonial theory, and writing about both of them (though not at the same time).
Though actually, on that note, there’s an excellent quote for you from Chidi Okonkwo’s piece “Casualties of Freedom” that sums up 20th century foreign policy pretty well:
“The role of the West in Third World poverty and instability has been that of pirates who, having plundered and sunk a merchant ship take up positions along the shore and shoot any survivors trying to swim to safety.”