Kubo and the Two Strings (2016)

I’ve finally seen Kubo and the Two Strings, and I loved it.

Yes, the story’s themes are well-trodden classics. Yes, I could see the twists before they arrived. No, I didn’t care—Kubo and the Two Strings knew what it was setting out to do, and it delivered that with skillful and focused storytelling. Plus, it’s gorgeous, and its presentation is stylish as hell.

This is not a perfect movie. I feel a little weird about it. But it is an excellent reference for how to write a good all-ages adventure story with heart. That feels especially true when I compare it to the writing of K-Pop Demon Hunters.

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Still Busy: Have A Paper On Lloyd Alexander and Characters’ Emotional Growth

I don’t know if you want to read about how Lloyd Alexander constructed emotional transformation for his characters, but I wrote a paper fanboying about it last fall. I don’t want to fall out of the habit of posting something, even if I’m too busy to write a new post, so I’ll share that paper with you instead. I’m not sure how well the formatting has survived the transition. It looks legible from where I sit. Cross the vast gap of this break to enjoy it.

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