Well, as far as I can tell, the show stuck the landing.
Loki is now secure as my favorite of the Marvel TV series so far. Sure, I’m excited to see what comes from What If…? but I don’t expect those jaunts to have the same emotional weight, or to be given the same time and focus. I don’t think I’m spoiling too much to say that there’s supposed to be a second season of Loki, and that I’m really looking forward to it.
I’m going to try talking around spoilers as much as possible. But I am going to talk about the show, mostly from a structural perspective. If you’re really worried about spoilers and are able to watch the show, I strongly encourage you to go enjoy the rest of Loki’s first season (when you can) and ignore the rest of this.
I was worried when I started watching Loki that the show would promise too much and give (or resolve) too little. I was also afraid that, like WandaVision and Falcon and the Winter Soldier before it, Loki would suffer from compression or similar [writing / directing / editing] runtime and continuity problems. To be clear, I think WV and F&WS worked… but I also think they suffered from narrative cuts and cramming.
So. This show promises a whole lot. I think it delivers more.
In a really wonderful way, this show kept giving me more than I expected. There was one exception—one that kind of disappointed me—but that had been foreshadowed extensively already. Mostly, the show felt free to resolve lots of issues and move things along to a new, messy resting state with new sources of tension that I quite enjoy. Best of all for me, the show leaned into the exploration of Loki’s motivations, hopes, and dreams, and played those through to the hilt.
Honestly, I think the certainty of a second season is critical here. Without it, and without the show’s writers and runners feeling free to resolve issues or create new ones as they saw fit, I think they would have felt pressured to tie things up more neatly for the end of the season (and the show). And I think that would have done a huge disservice to the story. I suspect that pressure (along with budget) is what forced WV and F&WS to compress as they did.
I believe that Loki‘s messiness is actually better than a neatly tied up story, even if we never get more Loki. I’d love to have more stories that feel free to do this sort of thing: creating interesting and exciting and difficult situations and then using them for honest explorations of characters I enjoy… without feeling locked into tidying everything up at the end. I like stories that end with open possibility.
I know other people don’t necessarily feel the same way. I have friends who love a neatly resolved story with all the loose ends tied up and all the resolutions for each character explored on screen. They abhor open-ended conclusions that only imply next steps and leave it up to the viewer to decide, or imagine, what happens next. But for me, a lot of that is boring or uninteresting. Life is full of the unexpected, and it feels more honest to me to close out a story’s arc while leaving open the shapes of arcs to come.
Loki does that. I have my guesses about where things will go, but there are many possibilities, and I look forward to exploring them even if I have to do it in my own mind.