Pain & Gain: Avarice at its best / worst

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Muscles, money, melanoma. What more could you want?

For some reason, Michael Bay decided to make a Fargo-esque movie about a real storyPain & Gain is the “true crime” tale of three mid-90s Miami weightlifters who are too set on absolute success to realize that they’ve fucked up beyond their worst nightmares.

Unlike his film’s narrators, Bay seems to have succeeded.

Maybe he succeeded because there aren’t any giant robots, or maybe it’s because truth is stranger than fiction and this story is already good enough.  Or maybe it was because he got Mark WahlbergDwayne “The Rock” Johnson, and Anthony Mackie to play his barely clued-in protago-villains (“Don’t worry, I’ve watched a lot of movies,” says Walhberg’s character on the topic of kidnapping, “I know what I’m doing.”), and then convinced Ed Harris and Tony Shalhoub to round out his cast.

I’m not saying that this movie is exceptionally good or a critical success.  I’m saying that it wildly exceeded my (admittedly low) expectations.  The movie flunks the Bechdel test, sidelining the few female characters involved in favor of focusing on a plethora of detestable assholes who feel like they came straight out of a game of Fiasco.  Their fluctuating connection to reality coupled with the greedy entitlement of Wahlberg’s character pulls the movie along like a freight train, complete with ensuing train wreck.  Their musclebound, idiotically-genius antics exemplify the phrase “hot mess.”

More specifics after the break.

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