I feel odd using this promo image: I think they airbrushed Natasha Lyonne’s face, and erased some of Charlie as they did.
Rian Johnson continues to be one of my favorite directors and writers. I was excited about this show as soon as I heard that he was working on it, and I knew the basic premise before I watched the first episode. That didn’t spoil anything. I’ll do my best to not spoil anything here either. Welcome to Poker Face.
Charlie, our protagonist played by Natasha Lyonne, is an itinerant human lie detector consistently ending up around yet another dead body or dastardly mystery. The show is intended to be episodic. While you should definitely watch the first episode first, I understand the later episodes are less reliant on any specific sequencing.
I wasn’t sure how this first episode would establish Charlie’s existence as an itinerant lie detector. Nor did I have any idea how it would establish stakes to give the rest of the show tension. But it’s great! The first episode gives us all the background we need, and doesn’t give us much more than that. We know why Charlie is on the road, and we know who she is: a basically decent human being, a mostly average person with an unusual talent, someone who absolutely has a sense of right and wrong but doesn’t have much power or influence to do anything about it.
She’s a marvelous average Jane.
I especially appreciate what feels like a tonal nod to Columbo: Charlie isn’t a genius, she’s not a detective, she just feels compelled to do the right thing and will catch when people are lying. And, as one might expect when watching a mystery show, she often pays attention to details and inconsistencies. And if you pay attention yourself, you can see her catch those details.
But this show isn’t adversarial.
That’s because Poker Face contines Rian Johnson’s embrace of showing us the story’s (the episode’s) central death. It’s not a question of who, or how, or even necessarily why; though we don’t have all the details, the show’s mystery isn’t a whodunnit. It’s a how’ll-Charlie-catch-it. Or a what’ll-Charlie-do-about-it.
As I said, the show isn’t adversarial. The writers aren’t trying to pull anything over on the audience (in episode one at least, I haven’t seen more yet). It’s even more generous than Knives Out, or Glass Onion: we aren’t kept in the dark, we don’t have to race to solve anything, we know more than our protagonist does. And because our enjoyment isn’t found in solving the case alongside of, or before our protagonist can, Johnson doesn’t have to plant red herrings or mislead us about the death.
I admire this approach! Instead of obsessing over the mystery, we can delight in the way our main character approaches things, the way she lives her life while surrounded by lies and mysteries. And we can enjoy the choices she makes, and see her bear up under the consequences.
Now, because we know more than our protagonist does, I suspect there will be a great many times when Johnson borrows tension from classic horror genre tropes. We in the audience will be yelling “Don’t go in the basement!” or “Stay away from him, he’s the killer!” while Charlie sits and chats and smiles and nods. It’s marvelous.
Of course, this show might not be for you if that sort of tension isn’t your jam. If you aren’t willing to stew like that while Charlie fumbles through life, just trying to be a decent person in the midst of potentially scary people… I don’t know.
Try the first episode. See if it’s for you. You can do that much for free.
Back to the show… I think Charlie’s desire to just live, and her competing desire to do what seems right, is part of what makes her so magnificent. She’s just a normal person (I mean, apart from being able to suss out lies), choosing to do the right thing as best she can. I love it.
Anyway. If you want some good TV, if you crave murder mystery, if you’re looking for something that hasn’t been worn into an axle-breaking rut by the procedural genre… try Poker Face. I’m glad I did. I want to watch more.