More Miska: 1/11/2016 pt.2

And we’re gonna need a montage.

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More Miska: 1/11/2016

Continuing our previous scene…

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More Miska: 1/9/2016 pt.2

Here’s the following scene:

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More Miska: 1/9/2016

Same deal as before.  Very first draft material, following more or less from the previous posts.  Enjoy!

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More Miska: 1/8/2016

Like last time, this is a first draft.  I’m not sure I want to keep it, but I like where it ends up.

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More Miska: 1/7/2016

You’d be right to think that the date up there is not today’s date.  But I don’t have a better way of defining what I’ll be sharing with you at the moment.  Since I got home, I’ve been writing about 2000 words a day on my Miska project.  What follows is part of what I wrote on, you guessed it, the 7th.  It is first draft material, which means that I haven’t done more than look at it and think that it needs editing.  Enjoy!

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Twitter flash fic

Sorry, I’ve spent all day reading for school and writing a paper.  But I have my Chuck Wendig-inspired #talesfromblackfriday tweet for you to enjoy:

You walk down an aisle of smiling boys labeled “Jimmy”
The sign above reads:
CLASSIC AMERICAN NUCLEAR FAMILY, 80% OFF

Going back to Lloyd Alexander

I’d forgotten just how much I enjoyed Lloyd Alexander’s The Book of Three and the rest of the Prydain series when I was younger.  I think I also missed a lot of the gendered subtexts (many of which are pretty overt) when I was reading Alexander’s work the first time through.  Or rather, I didn’t pay much attention to them even though they were right up in my face.  Rereading Lloyd Alexander has been a bit strange.

I’m afraid I don’t have anything more deep for you.  I have to go back to work, reading more Lloyd Alexander and Colonial and Post-Colonial theory, and writing about both of them (though not at the same time).

Though actually, on that note, there’s an excellent quote for you from Chidi Okonkwo’s piece “Casualties of Freedom” that sums up 20th century foreign policy pretty well:

“The role of the West in Third World poverty and instability has been that of pirates who, having plundered and sunk a merchant ship take up positions along the shore and shoot any survivors trying to swim to safety.”

Jessica Jones, AKA Intense

No spoilers here, but a trigger warning seems appropriate.  This show deals with abuse and PTSD.  It’s emotionally exhausting.  I haven’t seen the whole series all the way through; that would require far more endurance than I have, and less pursuit of other things that I enjoy.

But I can tell you that from what I’ve seen so far, it’s a really good show.  It’s intense in the kind of way that leaves me with weird twisty knotting feelings in my chest, but without pushing me so far overboard that I can’t watch at all.  It makes me want to keep watching, too.

It’s funny, it’s painful, and I think it has a far better central character and set of central struggles than did Daredevil.  In fact, I think it more or less improves on Daredevil in every way.  It isn’t perfect; there are a few narrative choices so far that I disagree with or which ring false to me but… it’s GOOD.  It’s really good.  I hope you get to watch it soon.

Oh, also, the art for the intro looks a lot like Jeremy Mann’s cityscapes, which are gorgeous.

Flash Fiction: J.S. Bach: Goldberg Variations – Variation 14

This is goofy.  I’m writing a new piece of flash fiction from Chuck Wendig’s usual challenge (I’ve skipped a few, my apologies), and, well… I’m not sure what to do.  The challenge involves using a random song as both your title and as inspiration for the piece itself.  I’ve done that before; so far, so good.

I shuffled until I got a named track (my first result was “Track 9” from an untitled trance album), and now (as you can see) I’m writing a story called J.S. Bach: Goldberg Variations – Variation 14.

In case you don’t know what that sounds like, here’s a video (the piece is roughly two minutes, though the video continues afterwards).  I’ve tried embedding it, but the time-specific feature doesn’t seem to be working.

My version is played by Glenn Gould, at roughly twice that speed, clocking in at 59 seconds. Please excuse me while I stare into space and figure out what the hell this means story-wise.

Right.  Got it.  This might be a little odd, but I think it works.  Enjoy!

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