Tag Archives: Netflix

Boots, halfway through: A Marine-shaped box

Posted on by Henry
The less morbid option for a Marine-shaped box

I’ve watched more of Boots, finishing episode four and just barely starting episode five. The show’s message feels clearer now. My initial curiosity is congealing into grim resignation.

Boots isn’t bad. It’s well crafted. The character portrayals and overt construction of masculinity that piqued my curiosity still remain. I can still enjoy picking through and examining them. I can enjoy stripping them for parts.

The show isn’t bad/wrong, the storytelling isn’t bad/wrong, but I like Boots less now.

Why?

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Have baby, still sick; 11/13/25

Posted on by Henry

I have a piece in the works revisiting Boots, but I’ve been doing extra baby duty this week and I’m well past the point of being sick for a month. You’ll have to wait a little longer.

Instead, please accept this (relevant) link to a video essay by Schnee about recognizing when and how you’re being propagandized. This is kind of a spoiler but I’ll be referring to Schnee’s video in that larger piece on Boots.

Boots (Netflix 2025)

Posted on by Henry

I’ve seen the first episode of Boots, and I have mixed feelings. 

I’m not sure how to engage with the show. It’s the sometimes funny, sometimes awful story of a young gay man named Cameron Cope who joins the Marines (in 1990, when homosexuality in the armed forces was still criminalized) without really knowing what he was getting himself into. Boots is based on the book The Pink Marine by Greg Cope White (no relation to the best of my knowledge), which is apparently a memoir of White’s own time in the Marines.

I’m unsure about Boots because I’m not sure what Boots is trying to say, or what conclusion it’s reaching towards. Does it have a negative message about being in boot camp as a young gay man in 1990? Does it have a positive message about that?

Is it both?

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Butterfly in the Sky (2022)

Posted on by Henry

I have started (but not yet finished) Butterfly in the Sky, the documentary about the creation of Reading Rainbow. I stopped when I did because I knew that if I kept watching I’d watch all the way through, and I had work to do. The documentary hooked me and delighted me—much as the show did when I was little.

I grew up on Reading Rainbow (and Star Trek: The Next Generation, which created some confusion for young me). Young me didn’t understand why Geordi La Forge didn’t need his visor when he was telling me about books…

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Dead Boy Detectives (Netflix 2024)

Posted on by Henry

I’m two episodes into Dead Boy Detectives and I’m having a blast. Something about this feels wonderfully light and playful, despite the show’s somber, grisly, and morbid elements.

What can I say?

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Expectations and Avatar: The Last Airbender

Posted on by Henry

Last week I posted about expectations and Masters of the Air. I skirted around something similar in my previous live action Avatar: The Last Airbender post but, having now finished the first season of live action A:TLA, I’m going to say it directly.

This show suffers greatly from my expectations. If I’d never seen the animated show, I’d be more excited about this live action version. I also just rewatched some of the animated A:TLA because I feared that my memories of it might have been too fond, and…

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The Gentlemen (Netflix, 2024)

Posted on by Henry

Have I tired of Guy Ritchie?

The first episode of Netflix’s The Gentlemen reminds me of Michael Bay’s Pain & Gain without the leavening of self-awareness. Pain & Gain leaves us, the audience, with enough room to see the idiocy and toxic obsession involved. From the movie’s first moments we are offered a perspective that might empathize with the main characters, but doesn’t ask us to sympathize with or believe them. In that way, Pain & Gain feels like a critique of the stupidity and myopic ambition of its characters.

The Gentlemen might critique its characters’ beliefs… maybe. But The Gentlemen doesn’t offer the distance and outside perspective that Pain & Gain does. Even when it showcases the absurd, the first episode of The Gentlemen takes the main characters seriously and takes their perspectives. It believes its own hype. Instead of offering a self-aware critique of people’s unwillingness to admit that they’re stuck swimming laps in a shallow pool, this first episode puts us inside the fishbowl, trying to find a better fishman.

It’s flashy and stylish and dramatic. It also feels a bit stupid.

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The Only* Live Action Avatar: TLA (Netflix 2024)

Posted on by Henry

*Let’s not talk about the movie

This adaptation can’t exist independently of the animated version for me. My familiarity with and love for the animated show clouds my judgment. I don’t think I can just call this show bad, because I’ve really appreciated parts of it, but I also can’t say it’s good.

I don’t like this live action Avatar: The Last Airbender as much as the animated version, for a number of reasons. The two shows feel like two different interpretations of the same starting material, and while I can see why the live action version made at least some of the choices it did, I think some of those choices will rob the show of its dramatic potential down the line. If you’re still on the fence about watching this version of Avatar, let me temper your expectations and tell you what I’ve enjoyed… as well as what I haven’t.

Oh yeah. I’m going to spoil this show. If you haven’t seen the animated version already, do yourself a favor and watch it.

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Delicious in Dungeon (Netflix 2024)

Posted on by Henry

Cooking anime meets dungeoneering adventure in Delicious in Dungeon. Based on a manga from Ryoko Kui, this show is focused on…

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Blue Eye Samurai, s1 (Netflix 2023)

Posted on by Henry

Blue Eye Samurai is a damn good show.

A damn good show that comes with a couple of warnings.

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