Spider-Man: Brand New Day (2026)

Hot damn Spider-Man: Brand New Day made me happy.

I’ve been a big fan of the Tom Holland Spider-Man movies. I don’t love them all equally, but I feel like they’ve held onto what really makes a Spider-Man story shine: heart.

These movies aren’t about massive alien invasions, or angry purple men, or any of that (to borrow a phrase from Brand New Day) “big potatoes” stuff. They’re all about small potatoes. When there are “big potato” events, these movies focus instead on the effect those big events have on smaller people in their everyday lives. They focus on how people wrestle with the consequences of those big things on a much smaller and more intimate scale. They’re about struggling to balance the responsibilities of being a hero with the responsibilities of being a regular person, and they’re about the costs of that struggle.

As it turns out…

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Pain, progress, & Truby, 5/14/26

Success! Since my post last week, I’ve prioritized prep work during my writing time. It’s been good. I haven’t had that much writing time, and I haven’t answered all my questions. I definitely shouldn’t jump back to the story yet. But I have identified several problems that were eating at my subconscious, and I may have resolved one of them.

Unfortunately, that resolution could be painful.

This prep work hasn’t felt satisfying in the same way as putting words on the page. Something about the work has even felt a little hollow. It’s like I’m merely whetting my appetite, and now feel even hungrier for “the real deal.” And yes, I agree, that’s unhelpful terminology for reinforcing my prep work habits.

It doesn’t help that I’m spending a lot of time and effort looking at the holes in my hopes and plans. Realizing that something’s going wrong, that I need to cut or make big changes, isn’t precisely inspiring. But every so often, I get little insights—yes, they sometimes hurt, but I’m excited to try implementing them, to see whether they solve even bigger problems that I’d only barely glimpsed on the horizon.

Let me give you an example.

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The Gentlemen (Netflix, 2024)

Have I tired of Guy Ritchie?

The first episode of Netflix’s The Gentlemen reminds me of Michael Bay’s Pain & Gain without the leavening of self-awareness. Pain & Gain leaves us, the audience, with enough room to see the idiocy and toxic obsession involved. From the movie’s first moments we are offered a perspective that might empathize with the main characters, but doesn’t ask us to sympathize with or believe them. In that way, Pain & Gain feels like a critique of the stupidity and myopic ambition of its characters.

The Gentlemen might critique its characters’ beliefs… maybe. But The Gentlemen doesn’t offer the distance and outside perspective that Pain & Gain does. Even when it showcases the absurd, the first episode of The Gentlemen takes the main characters seriously and takes their perspectives. It believes its own hype. Instead of offering a self-aware critique of people’s unwillingness to admit that they’re stuck swimming laps in a shallow pool, this first episode puts us inside the fishbowl, trying to find a better fishman.

It’s flashy and stylish and dramatic. It also feels a bit stupid.

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