Tag Archives: review

Endless Legend 2 & the Tidefall mechanic, 9/24/26

Posted on by Henry

Endless Legend 2 is out.

I’m shocked to realize that I haven’t written anything about the Endless games here. I planned to connect my thoughts today to what I’d previously written about Amplitude’s games, only to discover that there was nothing to connect to. I haven’t ever mentioned Amplitude Studios, let alone their interconnected series of Endless games.

It’s time to rectify that. I’m a huge fan of Amplitude’s work.

I freely admit that Amplitude doesn’t always hit home runs. I admire, however, that they consistently take big swings. They also (to my eyes) create some of the prettiest games, offer incredibly informative and accessible and layered UI, and with their Endless games weave all that into a single sci-fantasy setting that neatly legitimizes many of a 4X game’s mechanical abstractions.

Dust is narratively superior to a classic 4X’s generic abstracted “gold.” I will fight you over this.

I haven’t yet played enough of Endless Legend 2 to give you a thorough review. I’ve struggled to find time for a new 4X while juggling childcare. That’s especially true when my laptop can’t run the game and my desktop is in the baby’s bedroom. I played some of the early access versions, but only in bits and pieces. My knowledge is thus both partial and out of date. 

I have however played enough of EL2 and other turn-based 4X games to understand the promise EL2 offers. Amplitude Studios is trying another big experiment. Regardless of how it turns out, I think they’ve once again already improved the genre.

It all comes down to Tidefall.

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Why you tilt the camera, Spider-Noir, 6/4/26

Posted on by Henry

I’ve been enjoying watching Spider-Noir with Ley.

I was adamant that we should watch in black and white. Ley was willing to follow my lead. After finishing the first episode we spoke again about whether the show would look as good in color, and they said “No, it’s art.”

It’s not hard to find people who agree with this position online. I happen to think it’s the right one. I’d heard that the show was filmed with black and white in mind, and that seems obvious to me on watching it.

I wanted to be sure, though. I went through different scenes, rewatching them in color. I admit, the color version looks good too! Working in black and white obviously has a cost; I kind of like knowing that Robbie is wearing warm and punchy reddish hues in episode one, and I wouldn’t have known that without going back to check the color version.

But the black and white version sings. Yes, the color version looks good, but it’s a different kind of good—and I’d argue that the color version isn’t the right kind of good for this show. The team that made Spider-Noir knew what they were doing when they shot for black and white. 

That raises some questions though. Clearly, reality isn’t black and white. The filmmakers aren’t working with purely black and white source material. How then are they getting such incredible results?

Like Ley said, it’s art. It’s art, and a lesson in the importance of knowing one’s craft and intended genre. How can we apply that lesson beyond film?

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The Peripheral, by William Gibson

Posted on by Henry

The Peripheral is a science fiction novel from William Gibson set in an awfully recognizable near future and a slightly less recognizable but still palpable further future—there’s kind-of-time-travel, but not quite. It’s been so long since I last read Gibson. I’d forgotten how wild and weird his books can feel, while also feeling so grounded in our own reality. I wrote a little about this last week. I have more observations now.

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Tristan Strong Punches A Hole In The Sky, by Kwame Mbalia

Posted on by Henry

I love a good middle grade adventure story. That’s precisely what this is. As you might expect from something published under Rick Riordan’s imprint, it’s full of mythology and folk tales and legends. Tristan Strong Punches a Hole in the Sky, by Kwame Mbalia, is all about one young boy’s discovery that the stories he’s grown up with (African-American stories with American folk heroes like John Henry, African trickster figures like Anansi, and those who blur the lines like Brer Rabbit) are all far more real than he ever could have believed. It’s fun, it’s pretty fast, it’s (heh) punchy. This is a good book.

I admit, my appreciation for this book is influenced by my desire for more high quality middle grade adventure stories aimed at boys. There’s a lot more to unpack there, some of which can be better understood by reading Of Boys And Men by Richard V Reeves. Read on for some of those details, as well as my few quibbles with Tristan Strong.

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Vicarious Squirmy Awfulness

Posted on by Henry

I used to think I loved adventure stories because I’d grown up on them. The truth, I’ve realized, is a bit stranger. I’d rather watch bloody violence and explosions than sit through those gut-wrenching nail-biting moments of social awkwardness that fill so many romances, dramas, and comedies. Those moments fill me with a vicarious squirmy awfulness—the characters may experience emotional or social anguish, but my response is visceral, often literally painful. 

When I last reflected on this in my review of Trying…

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Dandadan (2024)

Posted on by Henry

Dandadan is a lot. Episode one made me nervous. It also caught my attention. I stuck with the show, and now episode seven has made me cry big, heartfelt tears.

This show is not what I expected. It frequently has an extremely middle school-ish feel, yet it has also sent me on an emotional rollercoaster. It’s goofy and weird, with an upbeat and sometimes jarring energy. While it is written about (and presumably for) young teens, it feels less siloed in its gender appeal than many other shows I’ve seen aimed at a similar age range.

This show is definitely not for everyone, but… I really like it. Let me tell you why.

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Dead Boy Detectives (Netflix 2024)

Posted on by Henry

I’m two episodes into Dead Boy Detectives and I’m having a blast. Something about this feels wonderfully light and playful, despite the show’s somber, grisly, and morbid elements.

What can I say?

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How has Fallout been my chill-out?

Posted on by Henry

It’s been a minute.

I’ve been packing, clearing out, and moving into a smaller space (plus storage). This is, as ever, revealing. It’s also a tremendously time-hungry pain in the ass.

I’ve had less time for consuming media as a result of all this, but I’ve sometimes watched an episode of Fallout as a way of relaxing in the evenings. And I do mean relaxing. But why is this show about awful stuff not awful?

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Monarch: Legacy of Monsters, after season 1

Posted on by Henry

What’s my verdict after finishing season one of Monarch: Legacy of Monsters? No spoilers, I liked it. I even loved some of it. But I didn’t love all of it equally—for one, I didn’t care much about the big monsters most of the time.

My lack of interest in most of the monsters turned out just fine! That didn’t detract from the show, because Monarch is far more focused on people, and humanity, than on giant stompy monsters. And it was Monarch’s focus on people that I loved.

I think there are some interesting details in why I loved the parts I loved, and what didn’t work as well for me. Come check it out.

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Delicious in Dungeon (Netflix 2024)

Posted on by Henry

Cooking anime meets dungeoneering adventure in Delicious in Dungeon. Based on a manga from Ryoko Kui, this show is focused on…

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