Paladin’s Hope, by T. Kingfisher

Paladin’s Hope is the queer continuation of Ursula Vernon’s paladin romances (written as T. Kingfisher). It does finally deliver the gay romance I’d asked for previously, and now I’m wondering what other stories we’ll get next given that I know there are a few paladins remaining without books about them.

For personal reasons, I enjoyed reading this one less than I enjoyed the others (Paladin’s Grace and Paladin’s Strength). I’ll try to dig into that, but I should add: if you liked the previous books in the series and still want “paladin romance,” this will still give you that and do it well. My personal discomfort has more to do with my own history than with some bigger critique of the book or series.

These books are all about paladins (often along with their potential romantic partners) being—in the words of friends who also read and enjoy these books—“total goobers.” The paladins these books revolve around all have lots of reasons for telling themselves why they’re not good enough for a romantic partner, or telling themselves that they’re doing everyone a favor by not pursuing or committing to a relationship, or etc. They are, in short, goobers. This goober-ness almost always drives the core of the relationship drama at the heart of each novel’s romance plot. There’s always other plot too, good fun stuff, often with intrigue and murder playing off the romantic tension to draw the story out and let everything feel right, narrative-wise. It’s well-written and does the expected romance novel thing, and it’s all fun.

But with Paladin’s Hope, Vernon very evocatively wrote some goober-ness that reminded me—painfully, powerfully—of my own previous episodes of goober-ness. And that hurt a lot. It hurt enough, was evocative enough, that I had to stop reading for a while and just meditate to keep myself from spiraling.

That’s the reason I liked reading this one less.

It’s still a good fantasy romance with murder and intrigue, like the others in the series. It’s certainly got some solid characterization and a good portrayal of relationship dynamics (healthy and unhealthy).

It wasn’t comfortable for me, and that’s okay. With any luck, you won’t have the same issues that I did.

The book also establishes the next step for the larger story world’s plot. I’m quite excited about that. I think the next few books in the setting and series will be fun, and big, and open up bigger overarching plot elements again. Those felt a little lacking with this novel, though I can’t say I noticed the lack until I reflected on it after the fact. Anyway, I’m looking forward to the next one.

Paladin’s Strength, by T. Kingfisher

I enjoyed Paladin’s Strength. I knew what I was getting into this time. It’s still fantasy and romance with a few other genre bits tossed in. It’s still good, I still like all the genres in play here—or at least don’t dislike any of them enough to turn me off enjoying the rest of them.

Specifically, romance is kind of hit or miss for me. It’s not my popcorn genre. I don’t feel sucked into it or compelled or fed by it in the same way that I do with other genres, I don’t delight in it the same way. But when it’s well done, and especially when it doesn’t exist on its own, I’m down.

And it turns out that Ursula Vernon (pen name: T. Kingfisher) is good at her job. She’s good at writing characters that I enjoy. She knows the beats for a romance, and she’s happy to improvise around them with other interesting genre material. I don’t think I want to read more of her romances right now—I could use a palate cleanser, a break—but I like the world she’s established enough to want more of that, and if that requires reading romance I guess I’m down.

I just wish the romance were more queer.

Queer romance isn’t a necessity for me, but it does feel like a big boon. I’m not sure precisely what about it appeals most to me. Maybe it’s just the way in which queer romance seems more likely to diverge from classic gendered expectations of romantic relationships and interactions? Maybe I’d be down with het romance if it hewed less closely to conventional gender roles for its development.

Unfortunately, that queerness is not very present in this story. For all that Vernon does an excellent job making her characters feel like people, the central romance still feels fairly conventional to me (though I should note that Vernon continues to do fun things with healthier and more interesting relationships than I usually see in romances). There are certainly queer folks around, and there are queer characters baked into the background of the world in such a way that they are both unignorable and totally normal. That’s good. A big plus. But I’ve been hoping that this series would diverge further from conventions, and it hasn’t yet.

Apparently, from the blurb I’ve read, the next book in the series will have queer romantic leads. It should come out next year, Paladin’s Hope, and I’m looking forward to it. It’s about two characters I’ve liked in smaller roles in these first two books, so I’m very ready for it. Hopefully that romance feels less conventional too.

Despite my complaints, I think I’m learning. I’m certainly getting a better handle on how a genre + romance combo works. The romance is broadcast early on, usually through a meet-cute or some sufficiently distinctive interaction to anchor the pair’s dynamic for the reader, and then there’s a tremendous pile of will-they-won’t-they and yearning lustful thoughts before some kind of more satisfying release (ahem) close to the denouement, often just before the climax (AHEM) comes to a head (god, everything is sexual, this is like high school).

Obviously, there’s some room for variation, and for stylings around the edges. Novik and Vernon (and Bujold) don’t structure their romances exactly the same way… but they’re close enough to each other, for the most part.

I don’t plan on writing much in the romance genre per se, but it’s nice to know the structure and conventions to be able to play around with it on the sides of other stories.

Anyway, yes, much like with the previous book, Paladin’s Grace, if you like romance and don’t mind fantasy, mystery, and intrigue—or if you like fantasy, mystery, and intrigue and don’t mind romance—you’ll probably enjoy this book. This book might not be for you if any of those things is unpalatable for you. But if you’re not sure, or you’ve only read bad examples of those genres previously, give these books a try. Vernon is good at her craft.

Paladin’s Grace, by T. Kingfisher

Paladin’s Grace went by quickly. I was hooked early, and pulled right on through. The many good things I’d heard about Ursula Vernon’s work feel like they apply here too.

Side note: T. Kingfisher and Ursula Vernon are the same person, T. Kingfisher is the pen name used for a whole suite of Ursula Vernon’s projects. I’ve meant to read Ursula Vernon’s work, especially Digger, for a while now. When I learned about her pen name, I signed up for these books right away. Easier to get them as ebooks from the library than to find a good, physical omnibus of the comic.

I was a little surprised, however. I hadn’t realized this would be romance. I think I might have enjoyed Paladin’s Grace more if I’d known beforehand that it was. But I did enjoy it, and it’s my own fault for not reading any of the book’s theming data—besides which, the fact that the story is romance is pretty abundantly obvious when, soon after the cishet meet-awkward, the narration is overtaken by constant thoughts about the other party.

My genre-revelation wasn’t a problem. I already knew that I enjoyed some fantasy romance (thanks Naomi Novik & Lois McMaster Bujold). If you actively dislike romance (in this case, lots of wistful thoughts and mostly-unfulfilled lusting), you may not like this book. If you can tolerate romance, this book has a bunch of other good stuff in it too, things that usually don’t end up in romance stories. After all, as Ursula Vernon acknowledges in her author’s note, most romance doesn’t accompany grisly fantasy murder mystery, dead gods, and legal drama. The perfume and frequent discussion of scents is perhaps the most normal detail. The fact that one of the leads is a perfumer may be a little less normal, as are her frequent attempts to mentally reconstruct nearly every smell she comes across, no matter how foul.

Anyway.

I absolutely recommend this book if you want solid fantasy fun. If you hate romance, that’s more complicated. If, like some of my friends, you only find romance palatable when it’s queer… I’m sorry, this book will not satisfy you.

But if you’re as intrigued as I was by a story about a paladin whose god has died, have at it. I had a good time.