A Deadly Education, by Naomi Novik

This book reads like fanfic grown wild and untamed, the sturdy and feral descendant of stories past. That, in my mind, is a good thing.

I tried to sum up the novel’s concept, as practice for making pitches and loglines, and came up with something like… “what if Harry Potter, but the school is *literally* a death trap full of monsters and there aren’t any adults around to ‘help?’” Add some socioeconomic inequality, teen drama, a pinch of prophecy, and an antisocial and justifiably angry teen girl for a narrator, and you’ll have a pretty good idea of what Naomi Novik’s A Deadly Education is like.

I enjoyed the hell out of this book.

I did not, apparently, read the first released edition. Before posting this, I read a little bit of other commentary on A Deadly Education, to doublecheck my own impressions, and found some critiques of what seemed like racist content that I had entirely missed. It turns out that I wasn’t oblivious (this time): Naomi Novik acknowledged those critiques after receiving them last fall, said the language was unintentional, undesired, and unnecessary, and removed it from later versions of the text (including the version I read).

Honestly, the only thing that seemed off to me was the lack of more queer folks. As someone who works with kids and teens, I’m kind of surprised that there was so little overt inclusion of characters who weren’t cis and het, even in the background. Yes, it’s easy to read one or two characters as queer, but “plausibly deniable” inclusion just isn’t the same thing. I know that Novik has included queer people in her Temeraire books (only as side characters sadly, but important and beloved ones), and—given the change in context from Napoleonic-era historical fantasy to modern teen fantasy—the general lack seems like an avoidable oversight.

Now, of course, dating and romance necessarily take a back seat to simply surviving in this story. Certainly it could be argued that our protagonist, outcast that she is, is paying more attention to other things than the sexualities and genders of those around her. But she’s also an astute social observer, and I would expect her to pay attention to who was dating whom (or who was crushing on whom) if only for the way that those relationships would change power dynamics in the Scholomance. Surely someone in that hell-pit of a school is openly queer.

That said, the lack of more queer rep was not a dealbreaker for me. I was still stuck in this book, pulled back in repeatedly. I’d open it while my computer turned on, and then keep reading while the machine patiently waited for my password. I’d open it when I sat down for lunch, and lose an afternoon. I’d open it as I lay in bed, and then struggle to put it down and sleep. This book grabbed me, and I want the sequel.

Putting those issues aside, I rather liked the book’s commentary and focus on inequality, and the way that inequality is baked into the setting as a driving force. It’s poignantly, painfully honest—and reminds me in a good way of later themes in the Temeraire series. The resources available to any wizard are a vital concern, and they’re literally life or death for students in the Scholomance. People will do nearly anything to get an edge, or keep one, and that desperation is the lifeblood of this book. I’m so glad that it’s brought to the forefront here.

Yes, I recommend this book. If you wanted more teen wizards, awful and dangerous schools, teenage drama in terrible circumstances, or delightfully and justifiably angry female narrators, this book will make you very happy. Indulge yourself.

Also, if you want another perspective on the book, check out this naga’s thoughts. I used the image at top from that site.

League of Dragons, by Naomi Novik

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I’m surprised to find that I’ve only reviewed one other book in this series in any depth.

 

As that review mentions, I’m definitely a fan of the Temeraire series. But more to the point, I think that League of Dragons is an excellent finish to this series. Better than many of the preceding books, which is difficult. Better than some of the really good preceding books, which is even harder.

In many ways, this book shows Novik doing exactly the opposite of what Stirling so loves; she somehow manages to cut out all the slow bits of the novel while keeping all the pieces that are important to the story. But that’s wrong, because it’s not like this is a non-stop action adventure. This takes plenty of time to devote itself to social intricacies, diplomatic considerations and the like… but Novik knows what matters, and she takes out everything else. She has a narrow focus on the heart of this story, and she has honed it until it delivers exactly that. Yes, there’s a little extra around the edges, but only enough fat to let you enjoy the flavor without overpowering the piece itself.

I want to stress, from personal experience, just how hard it is to do that. I can only imagine how much material must lie on the cutting room floor. There have to be scenes, long and involved scenes, which simply didn’t end up necessary to telling this story in the best way. The clarity and relative brevity of this story speak volumes about the discipline shown by Novik (and presumably her editor) in making this book, and I think I’ll return to this book to appreciate this for some time to come.

Funny. I’ve hit this point in the review, the one where I could start delving into further intricacies to tell you about particular bits of goodness, but I don’t want to spoil it for you. It’s enough that this is a good series about dragons. That it is also a story about a British man in the early 1800’s who learns that, maybe, more people are people than he had realized is (exceptionally good) gravy. The fact that it somehow encompasses adventure and social intrigue and feels like period fiction in the best possible way only makes it better.

If you haven’t read the series yet, you have a great deal to look forward to. Except that book about Australia, which is unfortunately rather sluggish but let’s not talk about that. Go ahead and enjoy.

End of Semester Delays

My posting won’t go back to normal for the next two weeks, I think. I’m too distracted by the things I have to finish for my last two sets of classes.

On the up side, I have had a chance to look at lots of books recently, and I have a few to recommend.

Naomi Novik’s Uprooted is a fun story in an awesome fantasy setting. My only reservations revolve around how it follows a bunch of romance genre conventions in a way that I find a little less appealing. This isn’t because I have something against good romance work — I love Bujold’s romance stories — but because I don’t like the dynamic between the two romance leads as much as I like the rest of the story. And to be clear, most of the story isn’t very heavy on the romance. But it is definitely there.

Hmm, that sounds less like the recommendation I thought I was writing and more like a warning. It’s a fun book, and I *do* recommend it. It has an Eastern European setting with witches and magic and Baba Yaga type stuff! What more could you want? I rather enjoyed it.

And, on the picturebook front, I strongly encourage you to look at Water Is Water, published last year. It is gorgeous. It has so much detail and setting layered into each image. As a Vermonter, it gave me little nostalgic quivers. It’s worth reading.

Blood of Tyrants, by Naomi Novik

Have you read any of Naomi Novik‘s Temeraire series?  No?  Sit down and treat yourself to the first one, His Majesty’s Dragon.  You’ll stumble in surprise as you read the first few pages, only to find yourself running, tearing through chapters until you’ve finished the first book before you even truly realize you’d begun it.  The series is a mad combination of the geniuses of C.S. Forester, Patrick O’Brian, and Jane Austen, and is studded throughout with the strangely fitting addition of dragons.  I found it too odd to pass up, and then too good to put down.  Blood of Tyrants is an excellent continuation of the series.

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