Dang, that cover is gorgeous.
I just realized that I never wrote anything about River of Teeth here.
River of Teeth is a delight. It is compelling, it is exceedingly evocative, and it cemented my tremendous respect for Sarah Gailey. That respect isn’t simply for Gailey’s fabulous what-if—though a heist western about queer hippo-riding cowboys in the swamps of Louisiana wins you lots of points in my book—no, my respect is for Gailey’s obdurate embrace of optimism, hope, and upbeat tone despite nearly every genre expectation insisting otherwise. When I read River of Teeth, I couldn’t recall the last time I’d read a book so fraught with dire struggle, and with emotional conflict, yet which somehow rose above despondency and grimdark. It’s still hard to come up with such titles, but this is one of them.
Gailey’s characters are capable, but merely mortal. They face the impossible. And somehow they never lose heart.
I think it says something that I inhaled River of Teeth, and then immediately inhaled the sequel, and only ever felt better for having done so.
River of Teeth is a small thing, and it’s a marvel that there is so much inside it. I strongly recommend both it and its sequel Taste of Marrow. If you like well-grounded weird historical what-ifs, or westerns, or heists, or stories which adamantly refuse to kill their queers and which hold tight to hope with both hands… this story is for you. If you just want a good time, this story is for you.
Please, go read the book.