Monarch: Legacy of Monsters (Apple TV, 2023)

Remember how I was upset with Castlevania? Very mild spoilers here.

Monarch: Legacy of Monsters shows how to give a character life after killing them in episode one. It makes that death a tragedy instead of a cheap trick, and lets us come to know the person—their strengths, their joys, and their faults—even after we know they’re dead. Even better, that character’s death and life reveal the themes foundational to the Godzilla series; after all, Godzilla stories aren’t just about giant monsters.

Don’t worry. There are definitely some giant monsters. It’s just… Monarch, like the first Godzilla movie, is really more about human drama and humanity’s hubris than about a big stompy beast.

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Away, 11/23/23

I’m busy celebrating with family. I hope that you and yours are well, and that you have enough to see yourself through the coming winter. Enjoy food and warmth and light, and may you find peace!

Filler, fight scenes, and Marvel fluff

I practiced stage combat years ago. I know how to choreograph a decent fight. I love watching skilled practitioners strut their stuff. This is why I love watching old Jackie Chan movies and the John Wick series, why I marvel at Olympic gymnasts or any other athletes where I have some basic understanding of just how utterly awesome these people are at what they do. I appreciate skill, and I admire craft.

Making a big blockbuster action sequence takes a lot of work, and can be done well. Sometimes I like that style. The first time I watched the first Avengers movie, I don’t think I was aware that the climactic fight took over twenty minutes. I enjoyed the spectacle, appreciated the work put into it, and didn’t care about how long it ran.

But many of those climactic fights feel like filler. Maybe I’ve seen too many Marvel movies, consumed them past the point of satiation. Or maybe… 

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Castlevania, s1 (Netflix 2017)

I admit, I very nearly bounced off the first couple episodes of season 1. I’m now a few episodes into season 2, and the show has improved. But has it improved enough?

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The back-into-it roundup, 11/2/23

There’s a wall that builds itself. It stands between me and my creative work. If I pass through it every day, I can knock it down a little with each trip—moving past it is never effortless, but the wall doesn’t have a chance to grow that much. If I don’t pass through for a while, the wall climbs and solidifies. Pushing past it gets harder the longer I wait.

I shared that image, that metaphor, with Ley when it came to me recently. They nodded, and suggested the metaphor of a quickly-overgrown path that I need to frequently bushwhack and clear. That works for me too.

I’ve been busy doing other work for a week or so. I didn’t think that would be such a distraction from my other writing, but it was. Fortunately, I had the Monuments Men post ready and was almost finished with another World Seed (The Blister is now available for sale!).

But now I’m trying to decide which fiction project to return to, how I want to start bushwhacking—and I’m being pulled in yet another direction by Skip Intro’s Veronica Mars episode for the Copaganda series. Sometimes I watch or listen to interesting analysis (critique and/or appreciation) of stories and find that spark of inspiration. This was one of those times. I don’t know where I’ll take it or what I’ll do with it. Maybe I’ll hunt down more old noir and see if that gives me any new clues.

That’s my ramble for now.

Wait, I should have another review showing up on Geekly Inc soon. I reviewed A Power Unbound, which I enjoyed. I’ll probably have more for you here about that another time, and I’ll let you know when that post has gone live.

Oh, it’s already up! Enjoy.