Middle Grade Character Introductions

Part of my homework for this week was to write a “two page” character intro for an engaging Middle Grade character.  I dislike “pages” as a measure of length when I’m writing, since I don’t use Word and see no reason to change that, but that translates to roughly 500 words.  Of course, I wrote one and wasn’t satisfied, so now I have two that I’m not totally satisfied with.  I feel like they do a better job of introducing conflict and drama than they do of introducing a particular character, if only because I have little tolerance for writing an opening scene that doesn’t start something.

In any case, here’s two Middle Grade scenes presented back-to-back, with no real relation between the two.  Oh, yes, and one of them is actually about Jerome from my Elven Progenitors setting.  Enjoy!

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The Golden Princess, by S.M. Stirling

It’s been a while since I read any S.M. Stirling, and I picked this one up more on a whim than anything else.  I’d gotten tired of the most recent spate of Change novels, probably because of a disconnect between my expectations and what Stirling was delivering.  I wanted Stirling to write an active story about a smaller group of characters, with palpable progress in the plot achieved in the course of each book.  Stirling did create that progress but it was far slower than I’d hoped for, and he spent more time focused on the milieu of the story rather than advancing the story that I wanted to see resolved.  In fact, after the first trilogy the pace of progress slowed precipitously, until it was almost a crawl.

The Golden Princess doesn’t change that pattern.  What did change was my expectations of what I’d find in reading the book.  And I have to say: reading these books as milieu fiction, as much about the world in which they take place as they are about any of the characters, is far more fun and rewarding than reading them with expectations of tight and fast plot.  Definitely worth starting up the series again.

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Flash Fiction: I Do Not Forgive You

This brings me back to my terribleminds flash fiction habit.  This week, our prompt was to use a character someone had created last week and write up to 2000 words about them.  By my count, I’ve got 1847 below the fold.  The character I used is inspired by the post here, by Pleasant Street.  I say inspired because, while I use features of the character Pleasant Street created, I largely do away with the setting that they made to go along with her… not because I didn’t like it (I did), but because my ideas took me in a different direction.  I hope that you like it, and I especially hope that Pleasant Street is able to appreciate it.  Enjoy.

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Story Snippet: The Sequel to Rum Luck, pt 1

Today I have the beginning to a sequel for you, a continuation of the story I started in Rum Luck (rough draft of that story can be found here).  If you like Andre and Jerome, you’re in for a treat.  It does end rather abruptly, but there’ll probably be more soon.  Read on, and enjoy!

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Flash Fiction: Characters in 250 words or less

Like it says in the title, this week’s flash fiction challenge is to create characters and convey them in 250 words or less.  I’ve had a few knocking around in my head recently, and I decided to let two of them out.  I’ve already written stories about both of them before, which you can find (amongst others) right here.

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My Not-Exactly-Tintin Project Might Really Happen?

This update is totally last minute, born of a recognition that I forgot to make my usual post today.  In fact, by my clock, I’m already four minutes too late.  I did spend a goodly portion of my day traveling, but… yeah.

Fortunately, I have some awesome news to share.  Do you remember the time that I mentioned wanting to write a Tintin flowchart (way back in January)?  I just shared the underlying aim, of writing a new era’s Tintin comics, with one of my friends.  They responded by spending fifteen minutes drawing a picture of female Tintin with Snowy, striding along in her trench coat.  It looked really good.  They were really excited and want to talk with me about this project.  So now I’m really excited too.  Hell, I just busted out a big goofy smile for no particular reason.  No, not true, it’s for a very particular reason; this project is something that someone else wants to work on with me!

I’m not writing this to tell you that you should expect something soon.  I’m writing this to tell you that some day, maybe a few years from now, I’ll have another post to tell you about how awesome this thing I’m working on is, and how anxious I am about making it worth your time.  But I think that maybe, just maybe, I’ll be telling you that because I have some good old Tintin-esque glorious adventure for you to feast your eyes on.  I’m really excited about this.

Lion’s Blood, by Steven Barnes

I wish I’d heard of this book years ago. I think it’s incredibly important, and I wish that it weren’t.  Why?

It is so easy, as a white man, to think that you understand troubles that others face, to think that you have read and spoken enough about a given issue to feel like you know more or less what’s going on, and why people feel and think the ways that they do.  In many cases, you have to actively search out conflicting points of view and other narratives in order to prove otherwise, and why would you bother doing that when you don’t know about them in the first place?  Why bother when you think that you’ve already got a good grasp on things?

In Lion’s Blood, Steven Barnes takes a fundamentally simple concept and uses it to explore a number of things… it’s quite simply a good and fun (if painful at times) book.  But the reason that I think it’s important and wish that it weren’t is that it confronts head on that feeling of complacent surety, the comfort of thinking that you know enough about historical (and modern) problems and don’t have to look deeper to examine your own place, your own implicit beliefs.

Lion’s Blood posits a world in which Africa rose to prominence, rather than Europe.  A world in which the slaves working the fields of the New World are white, taken from their tribal villages to work the fields of rich Muslim landowners.  Steven Barnes tells a familiar tale here, with a narrative that feels comfortably close to our expectations, but it’s one in which all the cultural and ethnic trappings have been inverted from our standard expectations.  And somehow that inversion was enough to shake me out of my “ah yes, this story again” complacency.  Better yet, it drove home yet again the violence done to people through the institution of slavery, and (I think) might help to wake some up to the systematic oppression which slavery engenders in a society.  And, of course, it tells an excellent story, one well worth reading.

Look.  I don’t want to ruin this book for you, so I’ll put it like this: this book is sad, tragic, and uplifting; this book is a marvelous adventure story; this book reminds you of why our current society is so screwed up in so many ways, as we deal with the toxic legacies and variably covert attempts to continue the oppressive power struggle at the heart of slavery. I’m deeply impressed.  I want my own alternate history to be as good as this book is.

P.s. I found Lion’s Blood on this recommended list of books by writers of color.  I intend to go back and find more to read, and would suggest that you do the same.

Miska, snippet 3

Two previous scenes with Miska are up so far, here and here.  Let me know if you like this!

Also, I’m going to be on hiatus next week; I’ll be working for an awesome theater camp in upstate New York (or as one of my friends calls it, “Narnia”), and I’ll be way too busy to post anything and probably won’t have access to the internet anyway!

Enjoy some more Miska after the break.

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More Miska

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Last week I gave you a story about Miska, who wants to leave home for the sea.  Here’s a little bit more for you, maybe not directly after the previous piece but definitely following it.

Enjoy!

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Miska, The Girl Who’d Be A Sailor

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Miska is a character who’s shown up in several of my drafts of various stories in the Elven Progenitors universe for a while now.  She started off as a secondary character in the backstory of another secondary character, but quickly took on a life of her own in my imagination.  I always wanted to find out how she’d come to be where she was, and I tried, again and again, to write it.  But every time I tried, I lost interest within a few pages.  I was just dead *bored* with what I was writing, which I took to be a bad sign.  I tried, and tried, and eventually I gave up and put the story on the backburner, but yesterday I had an epiphany and started writing down notes like mad.  My first scene based on those notes follows.  It turns out, I wasn’t going back far enough; I needed to see how it was that Miska, the Pirate Queen, went to sea in the first place…

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