I know that young adult action stories might not be everyone’s preferred genre, but how about a post-apocalyptic young adult action story that weaves Native American history, lore, and culture seamlessly into other general Americana such that it feels like a fitting piece of a larger tapestry without feeling lost or subjugated by other elements?
I can’t take full credit for that astute observation. It was mentioned by one of my excellent classmates.
Killer of Enemies is a good, punchy story that fits with mythic narrative traditions in a number of deeply appealing fashions. It’s very nearly pulp. And it’s written by a member of the Abenaki Nation, which gives me a wonderful home-feel due to my fond early childhood memories of listening to Wolfsong telling stories around Vermont. It doesn’t hurt that it’s all about the badass warrior woman Lozen, named in honor of the real Lozen of the Chiricahua Apaches. I’d say that this book is pretty good stuff.
Yet another excellent book that I’ve found through this semester’s syllabus. Nnedi Okorafor’s combination of a post-apocalyptic setting with fantastical afrofuturism is absolutely magical. I would strongly recommend this book for so many reasons; the setting might honestly be the least of them, despite how much I like it.
I understand that there’s a sequel in the works, titled Stormbringer, and I can’t wait to get my hands on that too.
I know, it’s not more Barium Deep. My apologies. But I’m busy and this is an easy recommendation to make. The Summer Prince is an excellent book. I won’t go in depth, because I have a submission due for my editor tomorrow and I want to give her more material, but it’s an excellent book and was one of the few items on my syllabus so far this semester that I’ve found myself reading for pleasure.
I guess I’m part of the target audience these days, but this gave me a great deal to think about in terms of art, and what art means and what it does. It also contains queer romance, and a sometimes hopeful sometimes not vision of a post-apocalyptic future. It’s very much worth reading.
Oh, and in case this is the sort of thing that you care about, this book is written by a woman of color and has (exclusively) non-white protagonists. I really liked it.
It’s been a while since I read any S.M. Stirling, and I picked this one up more on a whim than anything else. I’d gotten tired of the most recent spate of Change novels, probably because of a disconnect between my expectations and what Stirling was delivering. I wanted Stirling to write an active story about a smaller group of characters, with palpable progress in the plot achieved in the course of each book. Stirling did create that progress but it was far slower than I’d hoped for, and he spent more time focused on the milieu of the story rather than advancing the story that I wanted to see resolved. In fact, after the first trilogy the pace of progress slowed precipitously, until it was almost a crawl.
The Golden Princess doesn’t change that pattern. What did change was my expectations of what I’d find in reading the book. And I have to say: reading these books as milieu fiction, as much about the world in which they take place as they are about any of the characters, is far more fun and rewarding than reading them with expectations of tight and fast plot. Definitely worth starting up the series again.
Last week I mentioned that I was writing something to submit to a contest. I didn’t finish it. Instead, I submitted something else (Cosmo Katie, from earlier this year) to Flash Fury. Wish me luck.
I’m currently rather busy with schoolwork, so all I have for you today is the unfinished piece which I tried to write last week. I still haven’t decided what my new schedule should look like, but it will probably end up being a post on Tuesday or Wednesday, and another on Friday. Read on for violence.