Fear and the Uncanny in Children’s Literature

This post’s delay brought to you by homework… and Rise of the Tomb Raider. Between the two, I entirely forgot about posting here yesterday.

My homework, by the way, involves rereading Parable of the Sower (and The Girl Who Owned A City, and The Summer Prince). My short end-of-term paper this semester is on the way in which fear and the uncanny are used to replicate the home-away-home structure of a children’s story (discussed by many people, though I’m mostly sourcing from Reimer in Keywords for Children’s Literature and Nodelman and Reimer in The Pleasures of Children’s Literature), without requiring a spatial journey. Essentially, I hypothesize that by using fear and the uncanny to create emotional distance from a space, the departure and return inherent in a home-away-home story can be emotional instead of spatial. Plus, you get some interesting dynamics where the protagonist tries to make an un-homelike space homelike (again, or maybe for the first time) instead of returning to a safe space that has remained safe the entire time. Oh, and I know that Parable of the Sower isn’t exactly a kids’ book, but it’s sometimes cross-shelved in YA and has a teenaged protagonist. So.

On the storytelling side of things, I’ve come up with an excellent conceit for an adventuring setting that allows you to go on dungeon crawls without having to twist yourself into pretzels trying to justify why there are so many monster-filled ruins all over the place. I won’t go into more detail here at present, because I want to write it up and submit it to Worlds Without Master. Maybe if I can’t get it published there I’ll put it up here.


Classwork: Write in a genre you haven’t written before

I struggled with this one.  In part, I blame the flash fiction I’ve written.  I had a really hard time finding a genre that I hadn’t at least played around in before.  I suppose I should have written some magical realism, but I … well, I chickened out.  Instead, I threw together the first two pages of a short romance, which is a genre that I think I haven’t explored very much.

Maybe it was cheating?  I don’t know.  But you can read it after the break.

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Middle Grade Character Introductions

Part of my homework for this week was to write a “two page” character intro for an engaging Middle Grade character.  I dislike “pages” as a measure of length when I’m writing, since I don’t use Word and see no reason to change that, but that translates to roughly 500 words.  Of course, I wrote one and wasn’t satisfied, so now I have two that I’m not totally satisfied with.  I feel like they do a better job of introducing conflict and drama than they do of introducing a particular character, if only because I have little tolerance for writing an opening scene that doesn’t start something.

In any case, here’s two Middle Grade scenes presented back-to-back, with no real relation between the two.  Oh, yes, and one of them is actually about Jerome from my Elven Progenitors setting.  Enjoy!

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