Fear and the Uncanny in Children’s Literature

This post’s delay brought to you by homework… and Rise of the Tomb Raider. Between the two, I entirely forgot about posting here yesterday.

My homework, by the way, involves rereading Parable of the Sower (and The Girl Who Owned A City, and The Summer Prince). My short end-of-term paper this semester is on the way in which fear and the uncanny are used to replicate the home-away-home structure of a children’s story (discussed by many people, though I’m mostly sourcing from Reimer in Keywords for Children’s Literature and Nodelman and Reimer in The Pleasures of Children’s Literature), without requiring a spatial journey. Essentially, I hypothesize that by using fear and the uncanny to create emotional distance from a space, the departure and return inherent in a home-away-home story can be emotional instead of spatial. Plus, you get some interesting dynamics where the protagonist tries to make an un-homelike space homelike (again, or maybe for the first time) instead of returning to a safe space that has remained safe the entire time. Oh, and I know that Parable of the Sower isn’t exactly a kids’ book, but it’s sometimes cross-shelved in YA and has a teenaged protagonist. So.

On the storytelling side of things, I’ve come up with an excellent conceit for an adventuring setting that allows you to go on dungeon crawls without having to twist yourself into pretzels trying to justify why there are so many monster-filled ruins all over the place. I won’t go into more detail here at present, because I want to write it up and submit it to Worlds Without Master. Maybe if I can’t get it published there I’ll put it up here.

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The Summer Prince, by Alaya Dawn Johnson

The Summer Prince.jpg

I know, it’s not more Barium Deep. My apologies. But I’m busy and this is an easy recommendation to make. The Summer Prince is an excellent book. I won’t go in depth, because I have a submission due for my editor tomorrow and I want to give her more material, but it’s an excellent book and was one of the few items on my syllabus so far this semester that I’ve found myself reading for pleasure.

I guess I’m part of the target audience these days, but this gave me a great deal to think about in terms of art, and what art means and what it does. It also contains queer romance, and a sometimes hopeful sometimes not vision of a post-apocalyptic future. It’s very much worth reading.

Oh, and in case this is the sort of thing that you care about, this book is written by a woman of color and has (exclusively) non-white protagonists. I really liked it.