Country, Romance, & expanding my palate, 10/1/26

I used to think I hated country music. Johnny Cash made me reconsider. Now I admit that I do like some country, even if most of it isn’t to my tastes.

But what the devil got me into reading romance genre novels?

When I was younger I volunteered at a library (my hometown’s Fletcher Free, with the wonderful Lorrie and Bill). I handled everything that came through Circulation’s check-in during my shift, and I would shake my head every time I scanned in another Harlequin bodice-ripper—figuratively, not literally, because that would have been too much head shaking. They were extremely popular, getting comparable traction to the detective novels & legal dramas. Those old paperbacks were well-worn and much-loved, with technically-still-clothed beautiful men and women on their covers. Given how close the books were to falling apart back then, I wonder whether any of those books have survived the intervening decades.

Romance novels did not appeal to me. I was still in middle school, and I did not have the imaginative empathy necessary to wonder (much less understand) why people might like them. This, despite the fact that I’m pretty sure younger-Henry had already discovered internet porn.

I had lots of judgments. I never explicitly stated my judgments to the readers, but they were probably obvious to anyone paying much attention. Most readers returning romance novels wouldn’t have seen this, because they didn’t drop off their returns face-to-face. They preferred the anonymity of the off-hours book return. Given the alternative I offered, I get it.

These days, my relationship with romance novels is more like how I feel about country songs. I still don’t enjoy most of them, but I do read a few. Some I even really like. Obviously I didn’t dip my toe into the romance-waters just because other people like the genre—if that were enough, I would have devoured these books long ago. As I mentioned above, romance is popular. It sells.

So what changed?

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La Not-So-Petite Morte: Jennifer’s Body

Jennifer’s Body deserves more attention.  You should definitely watch Jennifer’s Body.  I give up: there’s almost no way that I can talk about this movie without sounding like a creeper.  Watching Jennifer’s Body is a refreshing experience, as the movie takes a jaunty and semi-upbeat stroll through the teenage monster movie genre.  Though the movies are quite different, I wasn’t that surprised to learn that Jennifer’s Body was made by the same crew that made Juno.  Rather than dealing with teenage pregnancy, this movie tells the story of two best friends, and the bloody end of their friendship; we’re given a front row seat to the narrator’s transformation from a sweet, self-assured, but largely unassuming young woman into someone driven to extremes by violence, danger, necessity, and isolation, certain of the importance of her actions despite knowing that no one will believe her.  Contrary to the claims of most critics (and even some audiences, since the movie was panned by Rottentomatoes and IMDb), I think the film is quite good.  Perhaps you’d care to find out why?

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