Country, Romance, & expanding my palate, 10/1/26

I used to think I hated country music. Johnny Cash made me reconsider. Now I admit that I do like some country, even if most of it isn’t to my tastes.

But what the devil got me into reading romance genre novels?

When I was younger I volunteered at a library (my hometown’s Fletcher Free, with the wonderful Lorrie and Bill). I handled everything that came through Circulation’s check-in during my shift, and I would shake my head every time I scanned in another Harlequin bodice-ripper—figuratively, not literally, because that would have been too much head shaking. They were extremely popular, getting comparable traction to the detective novels & legal dramas. Those old paperbacks were well-worn and much-loved, with technically-still-clothed beautiful men and women on their covers. Given how close the books were to falling apart back then, I wonder whether any of those books have survived the intervening decades.

Romance novels did not appeal to me. I was still in middle school, and I did not have the imaginative empathy necessary to wonder (much less understand) why people might like them. This, despite the fact that I’m pretty sure younger-Henry had already discovered internet porn.

I had lots of judgments. I never explicitly stated my judgments to the readers, but they were probably obvious to anyone paying much attention. Most readers returning romance novels wouldn’t have seen this, because they didn’t drop off their returns face-to-face. They preferred the anonymity of the off-hours book return. Given the alternative I offered, I get it.

These days, my relationship with romance novels is more like how I feel about country songs. I still don’t enjoy most of them, but I do read a few. Some I even really like. Obviously I didn’t dip my toe into the romance-waters just because other people like the genre—if that were enough, I would have devoured these books long ago. As I mentioned above, romance is popular. It sells.

So what changed?

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Project Hail Mary (book and movie)

I have read the book. I have seen the movie. I love both. Despite this, I find the movie a more appealing piece of art.

Why?

It comes down to emotion.

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Strange New Worlds season 3

I recall seeing some negative reviews of Strange New Worlds’ third season, reviews complaining about tonal whiplash. I think those reviewers didn’t understand the premise of episodic television.

I admit, the first two episodes of season three were VERY different from each other in tone. The first episode was the conclusion to a two-part episode cliffhanger that has had me on tenterhooks for over a year. The second episode was more like SNW getting back into the swing of things.

I was even glad that I watched the episodes a week apart instead of back to back (as they were released). But I’m not going to insist that a show I love for being episodic only release tonally similar episodes when they air two on the same day. Instead, I am glad to be gifted with more Star Trek to enjoy. I could use more hopeful sci-fi these days.

Some Desperate Glory, by Emily Tesh

Emily Tesh’s book Some Desperate Glory is an excellent sci fi story (“queer space opera” quoth many other reviewers) about living inside fascism, coming to terms with and recognizing that fascism, and trying to find ways to resist that fascism even when resistance seems impossible. It’s grim. It’s painful. It feels uncomfortably true, real, and relevant. I mentioned it in passing earlier this spring.

This isn’t a book I wanted to feel was more relevant after I finished it, but here we are.

This is also a book that deals with sexual abuse, assault, forced pregnancy, and suicide. I think the story handles them well, but they’re still rough. You’ve been warned.

With all that said, why does this book still feel hopeful to me?

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The Peripheral, by William Gibson

The Peripheral is a science fiction novel from William Gibson set in an awfully recognizable near future and a slightly less recognizable but still palpable further future—there’s kind-of-time-travel, but not quite. It’s been so long since I last read Gibson. I’d forgotten how wild and weird his books can feel, while also feeling so grounded in our own reality. I wrote a little about this last week. I have more observations now.

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