Europa Universalis IV: Becoming Leviathan

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Out of many, one.

I wrote a love letter to Crusader Kings 2’s intricate dynastic backstabbing a while ago, and I thought I should let you know about the game’s semi-sequel Europa Universalis 4.  I’ll even toss in a few tidbits about the myriad DLC available for both titles at no additional charge.

First, a brief introduction: Crusader Kings 2 is strategy-as-individual, a fascinating look at the intimately personal nature of politics and power, spanning the years from 1066 CE (867 CE with Old Gods DLC) to 1453 CE.  Europa Universalis 4 follows this with a shift from the myopically personal to the strictly national, covering the years 1444 CE to 1821 CE.  With both games and the appropriate DLC, it’s possible to convert a CK2 save game into an EU4 mod, letting you pick up the reins of your budding nation-state right where your Machiavellian ruler left them.

I loved CK2 from the start, even though it took a long time for me to feel like I could play the game without stumbling over my shoelaces.  Despite having an easier time learning how to play EU4, it took longer for me to really fall into it.  I think it was because the game is simply less personal.  It certainly wasn’t because of the interface, which has only improved.

In my first game of CK2, I was presented with a moderately ugly portrait of a lecherous Irish earl, told that that was me, and told that I really ought to get married.  I lived that earl’s life with gusto, trying (and failing) to better my position in the world, and I still have fond memories of him.  I identified with him, in much the same way that I have since identified with Queen Ximena and several other rulers of mine, and I felt connected.  EU4 simply doesn’t offer that experience, and at first I was dissatisfied.  I didn’t understand why I would want to play this grand strategy game without all the little people desperately trying to grease the wheels of power in order to ease their rise to the top.  I put aside the game and didn’t come back for a few weeks.

I’m still not sure what it was that pulled me back in, but I’m glad it did.  Despite looking so similar to CK2, EU4 is a very different game; it offers you the chance to shape a state as it transitions from the deeply personal politics of feudalism to the larger scale conflicts of colonialism, nationalism, and empire.  It gives you a chance to make Thomas Hobbes proud.

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The Queen is Dead, Long Live the … Oops

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It wasn’t my fault, I swear.

I died because I didn’t know enough battlefield medicine.  It turns out that you’re not supposed to push an arrow through yourself when it’s stuck in your chest.

It wasn’t really my fault: I’d never been lonely enough to put lots of time into mastering the basics of medical care, and I’d spent all my time focusing on intrigue, learning who’s who, and figuring out what plots I might have to worry about in the weeks before my coronation as Queen of Nova.  After my disastrous showing at the grand ball, I’d tried to play catch-up with my long neglected social skills.  Somehow I never got around to learning what to do about arrow wounds.

I just didn’t think they’d be an issue, you know?  Or at least, not as big an issue as accidentally starting a rebellion by pissing off my nobles.  I’d already had one of them assassinated, and had only succeeded because of all the time I’d put into mastering my network of agents.  Next time, I’ll make a different mistake.  I’m sure of it.  Welcome to Long Live the Queen.

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Game Analysis: Devil’s Tuning Fork

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Devil’s Tuning Fork is an interesting exploration in design which seeks to weigh in on the classic question, “What is it like to be a bat?” (don’t worry, this will remain a game review and not an exercise in philosophical discourse) The game places you in control of a child who has fallen into a mysterious coma who must now explore a strange dreamscape in order to awaken. In order to escape what is eventually identified as a sort of dungeon you must rescue other children and traverse multiple platforming exercises/puzzles. And you must do this while experiencing what it is like to be a bat (sorry, I swear I’ll stop referencing Nagel’s paper.)  The overall tone of the game tickles my love of horror and the surreal.  But as it is with most things which I love, it isn’t perfect.

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Rimworld: Sci-Fi Frontier Shipwreck Fiction

GmX9a8LuhHI set down on the planet with complete awareness of the dangers that I would face, and a steady sense that I would do better than those who had come before me.  As I established my new outpost, eagerly digging into the cliff face nearby to harvest the easily accessed metal and provide my fellow accidental colonists with shelter, I was certain that I was in the right place, doing the right thing.  I planned out my dwelling carefully, designed it with defense in mind, and laughed at the idea that I might have missed any of the silly issues which had so beset the Let’s Plays that I had watched before I picked up the game.

I forgot, of course, to plant any food.  Welcome to Rimworld.

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Game Analysis: The Stanley Parable

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Before I get into any discussion I must first say that the game is wonderful and you should play it. If you have already played it, don’t plan on playing it, or just don’t care about spoilers, then you should feel free to read on. Otherwise you should go and play The Stanley Parable and then come back.  Go ahead and read Jim Sterling’s review as a way to motivate yourself.

If you’re still unmotivated to go and play before I go into my analysis, then consider this: How much choice do you really have when you play a game? Do your actions truly affect whatever narrative you are participating in? Does deviating from the defined path truly do anything? The Stanley Parable experiments with these questions in a fantastically intimate way.

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Game Analysis: Broken Age: Act 1

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Many apologies for my hiatus. But I’m still around and thinking about games! In a rare occurrence I also recently finished one! The game is Broken Age by the amazing Double Fine. I think Double Fine’s strength is their writing, so an adventure game like Monkey Island or their own work Grim Fandango seems like a perfect fit.

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The Brief Hiatus Continues

I’ve been lax in my duties to this blog.  My apologies.  I should have explained further with my post last week: I’m in Portland, Oregon, and on Monday I spent all day running my Call of Cthulhu game for a number of fellow Reedies.  Today I’ll be co-teaching a stage combat class, and Saturday will see a second run of the same scenario from Monday.

I’m afraid that all means that I won’t have new material for you this week apart from this apology.  On the plus side, I finally cast my eyes upon RimWorld, a fascinating base-building simulation with an AI-managed event-engine that I’m itching to get my hands on and tell you about (yes, I want to tell you about the event engine, follow that link and read about it).  I’m also moving ever closer to having a complete version of my Call of Cthulhu scenario, though I’m not yet certain whether my most recent alterations are progress or regression.  Either way, I’ll be back here to bother you about cool stories, games, and story games next week.

A Glance at Shadowrun’s 5th Edition

I’m busy getting ready to run the seventh iteration of my Call of Cthulhu scenario, Temple in the Sands, and I probably won’t have anything for you this Wednesday due to traveling.  But last weekend I had the chance to play a game of Shadowrun again, something I don’t often have an opportunity to do.  I had a good time, but I think I realized why it was that I play it so infrequently; Shadowrun looks like a chore and a half to run when compared with all the other RPGs that I play.

Shadowrun reminds me a bit of a glamorous ass.  You know what I’m talking about: one of those people with so much style, and with so many good stories told about them, that you forget just how frustrating they can be in person.  If you spend enough time hanging around them the aggravation (mostly) disappears into the background noise, but there’s a lot of settling in and acclimatizing that you have to do first.  And every so often (usually right in the middle of something that is pretty cool) you get a reminder of why you thought the person was an ass in the first place.  But because it’s so glamorous, because it’s practically oozing cool, I keep wanting to come back to it like the sucker I am.  I can explain, I swear. Continue reading →

Dominions 3’s Manual Seduces, Conquers All

I sure did say a lot of mean things about Dominions 3 when I wrote about it last time.  I finished on a positive note, to be sure, but if you didn’t read that last bit it might have looked like very mild hate mail rather than an admission of my affections.  I won’t take those comments back (I still think they’re true, confirmed through further play), but I do have a few other thoughts to add.  First of all, giving me a copy of this game for Christmas is both wonderful and somewhat mean.  Secondly, I’m (not so) secretly in love with the game’s manual.  Third… well, my third thought is that the game is far more captivating than I had realized that it would be from my time as a spectator.

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Dominions 3, God of Time-Consumption, Awaits You

Remember how I mentioned that I would tell you about Dominions 3?  Today is your lucky day.  First off, here is what I said last time:

Dominions 3 looks like someone fell in love with Master of Magic and then decided that it wasn’t nearly complex enough.  And that it needed more gods, wars, and magic.  At a glance, it looks like something that will most appeal to a certain core of strategy lovers, but the concept is absolutely wonderful regardless of your interest in the genre.  You play a god rushing to fill the gap left by the disappearance / death of The Old God, and you must expand to outdo all the other pretenders and secure your own position.  It has territory based command and control, resource management, spell research, a military focus, and more numbers than you can shake a stick at.  Several of my friends are very excited about it, and I’ll let you know more when I’ve played it for a bit.  If it is more accessible than I anticipate, I will do my best to proselytize and spread the good word of the new god, Dominions 3.

That sounds pretty exciting, doesn’t it.

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