Dandadan (2024)

Dandadan is a lot. Episode one made me nervous. It also caught my attention. I stuck with the show, and now episode seven has made me cry big, heartfelt tears.

This show is not what I expected. It frequently has an extremely middle school-ish feel, yet it has also sent me on an emotional rollercoaster. It’s goofy and weird, with an upbeat and sometimes jarring energy. While it is written about (and presumably for) young teens, it feels less siloed in its gender appeal than many other shows I’ve seen aimed at a similar age range.

This show is definitely not for everyone, but… I really like it. Let me tell you why.

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Over the Woodward Wall, by A. Deborah Baker

Over the Woodward Wall (written by Seanan McGuire under her pen name A. Deborah Baker) is the first in a series of middle grade adventure stories in a mixed up sometimes-lovely sometimes-scary fairytale land. In many ways, it evokes Alice’s Adventures in Wonderland. The setting’s surreality contrasts perfectly with the very real-feeling children who are this story’s stars, and the book does an excellent job of conveying earnestly true human experiences and life lessons while taking us on a dreamy-and-nightmarish impossible (sorry, I mean improbable) journey.

This should be a guaranteed home run for me. However, my fondness for this book ebbs and flows, a cycle driven by my mixed opinions about the narrator. It is my fondness that shifts though—I like it, I just like it by varying amounts depending on my mood. So what do I simultaneously admire and want to complain about?

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Cascade Failure (on GeeklyInc)

I promised to link my review of L.M. Sagas’ Cascade Failure when it posted on GeeklyInc, but that entirely slipped my mind. The review is up! It’s been up for almost a month. My apologies.

In case you are deathly allergic to clicking external links, here’s the tl;dr…

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Delicious in Dungeon (Netflix 2024)

Cooking anime meets dungeoneering adventure in Delicious in Dungeon. Based on a manga from Ryoko Kui, this show is focused on…

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Worldbuilding: a swashbuckling campaign

I reviewed The Three Musketeers: D’artagnan recently, but I only realized I hadn’t yet reviewed it because I was deep in the process of creating a T3M inspired setting for an RPG. I knew I wanted the intrigue, the swordplay, the ambition, and the thrill of being small players discovering a much larger political game. So I hunted for and pulled out the themes that felt crucial to T3M’s fun, trying to find ways to create a setting that would evoke those while also incorporating the elements my players contributed.

I’ll lay some of it out for you.

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The Three Musketeers: D’artagnan (movie, 2023)

I saw this months ago, and only just realized I’d never mentioned it here.

I thought The Three Musketeers: D’artagnan was fabulous. Maybe I was brain-addled, or drugged without my knowledge, but by the end of the film I felt happy, and satisfied, and excited, and… just wow. I was floating. I really liked this movie. It’s one of the rare movies I’ve seen that made me immediately want to watch it again.

If you hate swashbuckling, swordplay, skullduggery, or the idea of watching a combination spy thriller and political drama full of swordfights set in 17th century France… clearly we have different tastes.

On the other hand, if any of that sounds fun to you… this might be the best version of The Three Musketeers I’ve seen.

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Indiana Jones and the Dial of Destiny (2023)

I finally saw this on a small screen. I…

I had fun?

I’m not writing about it here because it was stunning or notable. Hell, part of why I’m writing about it is because it wasn’t stunning or notable. I just rewatched the Tintin movie recently, and I would much rather rewatch that than spend much time dwelling on Indiana Jones and the Dial of Destiny. But I love adventure stories, and this movie is precisely that—and I grew up loving Indiana Jones. So why did this movie feel fun but uninspiring, and what nuggets of goodness can I still find in it?

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Skull Island (Netflix, 2023)

I grew up loving Johnny Quest’s zany pulp adventures. Skull Island feels like an updated version. Unfortunately, two episodes in it feels like the writers only updated some of the original concept and didn’t go far enough. It gets enough right that I’m still hoping that’ll change, but…

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The Black God’s Drums, by P. Djèli Clark (2018)

The Black God’s Drums is a sprint. It’s a sprint full of flavor, a window into another world that feels overflowing and wild and vibrant—a fantastical reimagining of our own world’s history, bringing us to a “might have been” that feels true and honest and exciting, with plenty of our own world’s horror worked in. It’s quick, here and gone again, and a greater pleasure for it.

Thinking about a recent conversation with a fellow book-nerd friend, I have to warn you:

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Progress for Deep in Trouble

It’s been a while since I last wrote about Deep in Trouble, Cesi’s sequel to Bury’em Deep. A friend of mine inhaled Bury’em Deep recently, and her enthusiasm has reinvigorated mine. It’s also prompted me to revisit the setting and my ideas for how Deep in Trouble would work, and I’ve started making progress again!

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